“Spaceballs” – Going where No “Star Wars” Parody has gone Before

On the 25th of May, 1977, a little movie entitled “Star Wars”: A New Hope was released in theatres worldwide.  A long time ago, in a galaxy far, far, away,  Luke Skywalker, ( Mark Hamill),a humble farmboy, gets thrust into an intergalactic war, and must rescue a princess from distress. As you all know, the franchise is possibly one of the most iconic out there, next to “Lord of the Rings”, “Harry Potter”, “James Bond” and the Marvel Cinematic Universe. 2017 marks the 40th anniversary of this acclaimed series. So, to celebrate, I’m going to review  Mel Brook’s 1987 parody “Spaceballs”, which gleefully sends up all of the common tropes and plot lines from George Lucas’ classic space odyssey adventure, and while the plot closely rehashes many elements of the original trilogy, it also pokes fun of other TV shows and movies, such as “Star Trek”, “Jaws”, “Alien” and “Planet of the Apes”, in very much the same fashion as the “Airplane” or “Naked Gun” movies!

In “Spaceballs”,  the villainous Dark Helmet (Rick Moranis) plots to capture spoiled princess Vespa (Daphne Zuniga) and deprive her planet Druidia of air. It’s up to scruffy space jockey Lone Starr (Bill Pullman) and his loyal mawg (Half-man, half-dog) sidekick Barf (John Candy) to step up to the challenge and rescue her. Along the way, they encounter some parodies of “Star Wars” characters, such as the CP30 inspired bot, Dot Matrix (voiced by Joan Rivers), gangster Pizza the Hut (Dom DeLuise), and the sage mentor Yoghurt (played by Brooks himself), who advises our heroes to use the power of “the schwartz” when necessary.

In one word, “Spaceballs”, is, well, ridiculous. However, it’s cheerfully aware of its own absurdity, and has the characters acknowledge that they’re in a movie several times by openly “breaking the forth wall, so to speak. This is brilliantly conveyed in one particular scene, in which Helmet and his underling, Colonel Sandurz (George Wyner) actually watch “Spaceballs: The Movie” in order to get a solution to their current dilemma, and end up viewing themselves viewing themselves in the actual scene that we’re currently watching! A similar joke also involves Yoghurt brandishing “Spaceballs” merchandise, including t-shirts, lunchboxes and a flamethrower.

Another favourite gag towards the end of the movie involves a cameo from the late actor, John Hurt, in a replication of his famous “chestbuster” scene from the original “Alien” (1979) movie. This  comes complete with the alien performing a ragtime dance number in the style of Michigan J. Frog from the old cartoon short “One Froggy Evening”. Hurt’s reaction of “Not again” , makes the spectacle all the more funnier.

John Candy, as always, is as brilliant with his jokes as ever. In addition to Yoghurt, Brooks also plays ditsy Spaceball president  Skroob, and Rick Moranis, best known for playing nerdy characters in works such as “Ghostbusters” and “Honey, I shrunk the kids”.

“Spaceballs” is a fun movie to watch, and I give it 3 out of 5 stars in total. Even if you’re not a fan of the “Star Wars” franchise, you may enjoy many of the cultural gags and references that are scattered throughout.  The movie was followed by a short lived animated adaptation decades later, but it didn’t fare too well, and was axed by the network before it even aired. Its brand of humour won’t suit to everyone’s tastes. Nevertheless, I would still recommend giving this flick a watch, anyway. May the schwartz be with you!

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A “Wonderful” Love Triangle Movie

Hello everyone!  It’s back to the 80’s reviews, and what better movie to kick off with than “Some Kind of Wonderful” (1987), directed by Howard Deutch. It has the old familiar set up of the hero being caught between two contrasting choices of girls. Roger Ebert probably summed up the concept best in his review, “it is not about whether the hero will get the girl, it is whether the hero should get the girl, and when was the last time you saw a movie that even knew that could be the question?”

Eric Stolz stars as Keith Nelson, an artsy teenage mechanic from a working class background. His best friend is a tomboyish drummer named Watts (Mary Stuart Masterson), and his dad Cliff (John Ashton), puts pressure on him to attend college, and get the education he never did, while Keith would much rather paint instead. He has a crush on the beautiful, seemingly unattainable Amanda Jones (Lea Thompson). In a refreshing take on the normal procedure, Amanda comes from the same modest background as Watts and Keith, but as she hangs out with the “popular” crowd, this makes her “rich by association”.

After Amanda breaks up with her caddish boyfriend, Hardy (Craig Sheffer), Keith wastes no time in asking her out. She accepts his offer, primarily out of spite for Hardy.  This eventually leads to Amanda being shunned by her snooty friends for daring to date outside the “in” crowd. Meanwhile, Watts has some issues of her own, as she has developed unrequited feelings for her best friend…

If you feel that the story that I’ve summarized sounds a little familiar, it’s because it was based the movie “Pretty in Pink” (1986), which preceded this movie by one year. It was not only directed by Howard Deutch, but was scripted by the king of 80’s teen movies, John Hughes. It’s worth noting that the stories are eeriely similar to each other. While “Pink” is about Molly Ringwald trying to choose between a smooth rich guy Andrew McCarthy and quirky best friend Jon Cryer, “Wonderful”  has essentially the exact same premise with the genders reversed.

When Hughes produced “Pretty in Pink”, his original intention was to have Molly Ringwald end up with Jon Cryer’s lovable goofball Duckie. However, the test audience for that film weren’t receptive to that ending, taking it as a sign that the rich and the poor social classes didn’t belong together. The ending was then changed to the one we all know, in which Ringwald ends up with McCarthy’s. It’s funny to note that had “Pink” ended up the way that Hughes originally envisioned it, it’s highly likely that we wouldn’t have “Wonderful”.

If I had to pick between “Pink” and “Wonderful” as being the better film, I’d ultimately have to choose the latter movie, as the supporting characters are more fleshed out and entertaining in my opinion. In “Wonderful”, we have  Duncan(Elias Koteas), a skinhead delinquent pal of Keith’s,who steals many of his scenes,  Laura (Maddie Corman), his annoying younger sister, and Ashton as the open-minded parent who just wants the best for his son.

As for the main trio of Stolz, Masterson and Thompson, they all pull off their respective roles with aplomb. Stolz is appealing as the man in the middle, Thompson pulls off the typical popular girl role with freshness, and Masterson shines as the friend who pines away from afar.

“Some Kind of Wonderful” rates as 4 stars our of a 5 star rating. Although it’s predictable and slow moving in parts, it ultimately captures the decisions of high school, and retains the typical Hughes charm that come from his teen movies. “Some Kind of Wonderful” was the last teen movie Hughes was involved in, before he decided to try his hand at making more adult themed pictures. Nevertheless, “Wonderful” ensures that Hughes’ teen movie period went out with not a fizzle, but with a bang.

If you enjoyed this review, please feel free to check out the movie, “Pretty in Pink”, or you can read my review of the film here! Until next time!

Suicide is Painless? My Two Cents on “Thirteen Reasons Why”

Greetings, bloggers! By now, the majority of the world has binged watched the new Netflix show “Thirteen Reasons Why”, based on the 2007 young adult novel by Jay Asher. Released on March 31st, and dealing with teenage suicide, the show instantly became popular, but just as quickly, sparked up a ton of controversy. It deals with not just suicide, but also bullying, self harm, sexual harassment, consent, sexuality, grief and rape. I was on the fence as to whether or not I was too late to share my thoughts on the show, but as I have some topics to bring up, I figured that I might as well jump on the bandwagon. As always, if you disagree with me on any of the topics, it’s perfectly fine, as it’s just a case of differing personal opinions. Also, I’ll be discussing some plot points in detail, so spoilers abound!

The show focuses on amicable high school student, Clay Jensen (Dylan Minnette), as he tries to deal with his feelings following the aftermath of the suicide of his classmate and crush, Hannah Baker (Katherine Langford). Before she passed, she recorded a series of 13 cassette tapes . Each tape chronicles the 13 people who triggered Hannah’s decision to take her own life. And Clay is one of them.

The tapes are passed from person to person, in a chain letter format. As Clay listens from Tape 1, Side A to Tape 7, Side A, and follows Hannah’s clues, he soon uncovers dark secrets about the students in his school, and the sinister lengths they will go to keep him quiet…

First, let’s mention the positive elements of the show. I enjoyed many of the flashback scenes, as they really fleshed out the characters, and explained the motivations behind many of their actions. The best flashbacks featured Clay and Hannah together, as their interactions were typically sweet and genuine. Hannah and Clay’s friendship is expanded more here than it was in the original novel, where they were distant acquaintances. They are depicted as having a closer banter here. Although Clay liked her, he held back admitting his feelings for her due to her exaggerated rumours about her alleged promiscuous reputation. In the present day scenes, Clay tries to seek out justice for Hannah, as he grows more unhinged while listening to the tapes.

Another positive that I wish to mention is the addition of story lines. As the book takes place over the course of one day, we really only get to hear Clay’s and a few other’s reactions to the tapes, and don’t get to see  how events play out afterwards. Here, we get to see Hannah’s distraught parents (Kate Walsh and Brian D’arcy James) come to terms with their daughter’s death, as they bring up a lawsuit against the school for not doing anything to help her when she was alive, and the many of the kids featured on the tapes trying to stop Clay from releasing the information to the public to save their own skins. These reactions helped to project the story with a dose of realism, and helped to embrace the repercussions behind their actions.

Now onto the negatives! As you can probably guess from a show about suicide, the mood is somber and bleak throughout, with melodrama added for additional angst factor. Many of the “subjects” of the tapes are downright awful people, adamant that they did nothing to warrant the blame. However, a select few do feel genuinely remorseful or try to atone for their actions. In fact, one culprit feels so overcome by their role in Hannah’s death that they end up attempting suicide themselves, with their fate left ambiguous by series’ end.

In one of the last episodes, viewers find out what Clay did to end up on the tapes. It transpires that unlike many of the others, his reason didn’t plunge her deeper into suicidal notions, but she still feels she owes him an explanation for acting weird at a party they attended. His only “crime”, so to speak, was exiting the bedroom when Hannah suddenly freaked out during a make out session, and she yelled at him to leave, as she recalled other traumas that had happened beforehand. Clay feels that had he stayed, Hannah might have lived. In my opinion, there was nothing that he could have done to help her, since she was so far past the point of saving. In a realistic sense, nobody in that situation would have stayed, and although Clay tried his best to console her, it was ultimately no use.

One thing that bugged me was Hannah’s motivations behind sending out the tapes. Yes, they were designed to make the subjects regret the way they treated her, but at the end of the day, suicide is a decision that a person makes themselves. No matter how despicable some of the “reasons” may have been, it did seem rather extreme to have many of these characters blame themselves for a choice someone else chose to make. Suicide is never anyone else’s fault, and it is never a way to get revenge on those who have wronged you. The show does a good job in demonstrating the affects of suicide on the victim’s friends and loved ones, and how there’s usually more questions than answers.

In summary, my general consensus about the show is that it offers a realistic look, if extremely pessimistic view of high school life. With a topical subject as suicide at the helm of the show, it was inevitable even before it was released  that it would receive some backlash for some of its more harrowing content, no matter how the show runners chose to present it. While some of these scenes, most notably Hannah’s infamously graphic suicide, are deliberately intended to be hard to watch, I feel that it was ultimately the right decision to show them front and centre. It was important that these issues be addressed,as just because it’s an uncomfortable subject to talk about, doesn’t mean that it needs to be ignored entirely.

“Thirteen Reasons Why” rates as 3 and half stars out five. It bravely tackles difficult topics, but may upset more sensitive viewers. Finally, I’ll close out this review by stating that if you or anyone you know have suicidal thoughts, tell someone you trust, or contact the “Samaritans” suicide prevention website. It’s important to note that no matter how lost or alone you may feel, that suicide is not the only opinion, and that things do get better in time!

“The Princess Bride”-An Inconceivable Fairy Tale

Love is in the air, as we have reached one of my favourite holidays of all time- Valentine’s Day! And what better way to mark the occasion than to view a romantic movie? And if the latest “Fifty Shades of Grey” movie doesn’t quite cater to your idea of “romance”, then perhaps “The Princess Bride”, Rob Reiner’s 1987 adaptation of William Goldman’s novel of the same name, can be of some assistance. While some male members of the audience may be instantly turned off as soon as they hear the title, believing it to be a girly “kissing” story, it’s more about more than just “a princess bride”. It’s got elements that will keep young boys satisfied too, such as pirates, adventure and revenge!

We start off with a grandfather (Peter Falk) settling down to tell his sick young grandson (Fred Savage) a bedtime story. The tale he weaves tells of Westley (Cary Elwes), a lowly farmhand who works for the family of Buttercup (Robin Wright), whom he loves. When she realizes that she reciprocates  his feelings, he leaves in order to make his fortune so that they can get married. However, she hears that Westley’s ship has been attacked by by the fearsome Dread Pirate Roberts, with Westley being presumed dead. Resigning herself to the loss of her one true love, Buttercup doesn’t resist when vile Prince Humperdink (Chris Sarandon) chooses her as his intended bride, with the hidden agenda of murdering her in order to profit from her death.

Buttercup gets kidnapped by a trio of outlaws- Vizzini (Wallace Shawn), a Sicilian mastermind who greatly overestimates his own brilliance, gentle giant Fezzik, (Andre the Giant), and dashing Hispanic swordsman Inigo Montoya (Mandy Patinkin), who wishes to avenge his father’s murder at the hand of six fingered swordsman, Count Rugen (Christopher Guest). Shortly afterwards, they encounter a mysterious masked bandit known as the Man in Black, who is determined to rescue Buttercup…

“The Princess Bride” was simply a joy to watch. I hadn’t seen it since I was about 8 years old, and I remember being transfixed by the fantastical elements and sets. The characters themselves are immensely memorable. The villains are entertaining without being too hammy or over the top. The cameo appearances by notable celebrities contained no shortage of jokes. One of my favourites includes  British comedian Peter Cook as the “Impressive Clergyman” who mangles phrases such as “Mawage” and “Twue wuv”. It simply has to be seen to be believed! Plus, Billy Crystal, unrecognisable under make up and prosthetics appears in one short sequence as medicine man, Miracle Max, with Carol Kane as his nagging wife, Valerie.

Another thing I should note about this movie is that it’s incredibly quotable. Even if you haven’t seen the movie, it’s almost  guaranteed that you can recite lines from it at random. Some of these include “as you wish” , “Have fun storming the castle” and “Inconceivable”. But the most famous quote possibly has to be (all together now!): “Hello, my name is Inigo Montoya. You killed my father. Prepare to die”!

One aspect of the story that I didn’t expect to enjoy was the framing device between the grandfather and his grandson. Usually when a movie’s main narrative is depicted as one character telling it to another, it can get a little jarring to be pulled out of the action just to show the character’s reactions to the events at hand (as seen in “The Notebook”, Reiner’s own “Stand by Me” and virtually any episode of “How I Met your Mother”). Not so much in this case.  The cutaways to Savage and Falk flowed naturally, and didn’t attract attention away from the main story. If anything, they only enhanced them.

“The Princess Bride” earns a full distinction of 5 out of 5 stars from me. It’s one of those classic movies that almost everyone can remember being a staple of their childhoods, and I’d definitely recommend showing it to younger kids. (And yes, there is some kissing involved!) Happy Valentine’s Day, everyone!

 

 

 

 

 

 

Living on the Edge of Seventeen

First of all, let me just say “Happy 2017”! I apologise for putting this blog on hiatus for the past number of weeks. Surprising perhaps no one,I have spent most of that break watching plenty of 80’s movies to be the subjects of my future reviews of all things 80’s. My latest post is a little different, however, as it is based in the recently released movie, “The Edge of Seventeen” (2016), which is the directorial debut from screenwriter Kelly Fremon Craig. I was especially anticipating this movie because the leading role was played by Hailee Steinfeld, who I’ve admired as an actress since I saw her Oscar Nominated turn in the Coen Brothers’ 2010 remake of the classic 1969 western movie, “True Grit” at the tender age of 13.

The plot concerns Nadine (Hailee Steinfeld), an awkward, moody 17 year old girl who is trying to cope after the tragic  loss of her father just a few years prior. She feels overlooked by her frazzled mother Mona (Kyra Sedgwick) in favour of her “golden boy” brother, Darian (Blake Jenner).  She seeks solace in her best (not to mention, only) friend Krista (Haley Lu Richardson). At least until Darian and Krista hit it off and start dating, which instigates in Nadine abruptly putting an end to their friendship.

Feeling adrift and as alienated as ever, Nadine regularly vents her woes to her perpetually disgruntled teacher, Mr. Bruner (an always excellent Woody Harrelson), who is almost always reliable to respond to Nadine’s theatrics with some deadpan remarks of his own. On the romance front, Nadine harbours a crush on hunky bad boy Nick (Alexander Calvert), and tries to pluck up the courage to actually, you know, talk to him. Meanwhile, she strikes up a friendship with cute film nerd, Erwin (Hayden Szeto), who just might be able to show her that things are not nearly as bad as she makes them appear…

First things first, I really adored this movie. It manages to take a genre that would otherwise seem tired and overdone (in this case, high school), and breath a new lease of life into it. Being only a few years removed from high school myself, all of the teenage characters behaved and acted as real people their age would, and not simply a scriptwriter’s “idea” of how they “should” act.

This is most prominently shown with Nadine herself. On the outset, she’s a tough protagonist to root for. Yes, she’s a drama queen, overly impulsive, and extremely rude at some points to the people she’s supposedly close to, such as her family, her best friend and her teacher. But she’s a teenager, and many of her reactions at that age are understandable. It helps to make her feel more authentic as a result.

The supporting cast are also commendable in their roles. I had only ever seen Blake Jenner portray the “nice guy jock” in “Glee” prior to watching this movie. As a result, I found myself to be pleasantly surprised by the depths that Darian’s character took throughout the course of the movie. Because Nadine’s the protagonist, and the majority of the film is from her perspective, we’re not privy to other characters’ viewpoints until Nadine herself is made aware of them. Darian isn’t merely a smug jerk, nor is Krista being selfish by putting her boyfriend ahead of her best friend. They all have more going on with them than it initially appeared.

The highlight of the movie for me was any scene with Erwin. I always love nerdy characters in movies, and Erwin is no exception. He’s a sweet, well-adjusted guy, and is refreshingly not a stereotype , but much like Nadine, a real character. I was pretty surprised when I looked Hayden Szeto up online, and discovered that he’s 31 years old, yet Erwin can’t be no more than 16 or 17. However, this does does not take away from his otherwise solid performance.

In summation, I rate “The Edge of Seventeen” four and a half out of five stars. It’s one of the best high school movies that I’ve had the chance of viewing in quite a while, and I highly recommend watching it. Even though Nadine can be quite grating at times, once you get past that slight, the film works very well. It’s also topped off with a satisfying conclusion, which nicely ties up Nadine’s story arc.

I hope that you enjoyed this non  80’s movie review. As always, please feel free to suggest some more “Flix of the 80’s” .

Why We Won’t Forget About “The Breakfast Club”

 

There are some movies out there that are simply iconic, whether they define a certain genre. “The Godfather” is considered the ultimate gangster thriller, “Rocky” as the top sports flick, and “Star Wars” as the greatest Space fantasy epic. But when it comes to high school movies, one is nearly always lauded as being the one that nearly everyone will remember as being the one flick which actually gets what’s its like to be a teenager- 1985’s “The Breakfast Club”, written and directed by the  king of 1980’s teen movies, John Hughes (1950-2009).

The Plot in a Nutshell:   March 24th, 1984, Shermer High School. Five high school students, all different stereotypes, who would never interact with each other under normal circumstances,  are forced to spend a  Saturday together – in detention. There’s John Bender, the aggressive, rebellious tough guy (Judd Nelson), Brian, the intellectual, amiable nerd, (Anthony Michael Hall), Claire, the pristine and pampered rich girl (Molly Ringwald), Andy, the acclaimed wrestler (Emilio Estevez), and Allison, the anonymous eyeliner-clad   loner (Ally Sheedy). They appear to have nothing in common except for their detained status and contempt for their overzealous, pompous principal, Richard Vernon (Paul Gleason). Initially, they do nothing but snipe at each other, and keep their distance, but as the day gradually wears on,they begin to learn about each of their home lives, and how there’s more to each of them than their first impressions suggested…

Actor/Character Observations:   Everyone gets a chance to shine, and not a single cast member can be faulted for their performances.  Hall is appealing as the sweet, vulnerable nerd with a hidden dark side, and Ringwald manages to make a typical snobby popular girl archetype into a sympathetic character. Estevez shows off his emotional acting chops in a rather touching scene. Sheedy makes the most out of playing a character who doesn’t even speak for most of her screentime, so she has to rely reacting to the others, until she slowly comes out of her shell .She and Estevez get some engaging moments together.  Nelson is at the core of most of the proceedings as  the thug whose wisecracks and bravado mask some deep-seated emotional problems.

The adult characters aren’t as strong as the teenagers, but Gleason delivers in his role as a grouchy disciplinarian who has lost touch with his youth. Finally, John Kapelos, as Carl the Janitor, acts as a foil to Vernon, in that he can easily relate to the kids, and has much more common sense than Vernon.

 My Favourite Scene(s) in “The Breakfast Club”: Where do I even begin with this category? There’s the crazily awesome dancing sequence where the gang just lets loose and dance together in the library, the club’s big emotional therapy session, and Bender’s “Eat my Shorts” verbal smackdown to Vernon (which may or may not have influenced Bart Simpson’s catchphrase only a few years later) .

But the most poignant moment has to be that after the group have emotionally opened up about their respective issues, they deduce that they’ll never be like their abusive parents. This prompts Allison to utter  “When you grow up, your heart dies”. This line alone sums up the belief that once we grow up, we lose all touch of the innocence and the possibilities that supposedly attends our teenage years. It’s after this scene that our protagonists appear willing to defy the  fate of becoming just as cold and uncaring as their parents before them.

My Least Favourite Scene(s) in “The Breakfast Club”: The scene that I always find difficult to watch in an otherwise fantastic movie is the one which takes place after Claire shows off her “lipstick trick” in front of the others (i.e. her ability to put on lipstick using her breasts). Bender is the only one who is unimpressed, and proceeds to cruelly mock and belittle her in front of everyone else.  Granted, he did have a rough home life, but it was still no excuse for reducing the poor girl to tears.

Ratings and Recommendations: So, after watching the movie again, do I still like it as much as I did? Well, after watching it again, I have to admit that it’s still one of my top movies. Even though it had been a while seen I had last viewed it, I still recall relating to the characters and their plights. The reason that this movie continues to relate to modern audience  members is because nearly everyone can identify with the protagonists. Even if you don’t empathize with the kids, you can still feel for Carl and Vernon, much like my friend. It delivers the underlying message is that nobody is alone, and we’re all going through similar issues in our lives, without being preachy.  “The Breakfast Club”earns a total of 4 and a half out of 5 stars from me.

So what do you think?  Is “The Breakfast Club” a classic or just plain overrated? Which clique did you fit into in school? Feel free to let me know! But for now, I’ll let Simple Minds have the last word with their iconic ditty, “Don’t You (Forget About Me)”. Until next time!

“Secret Admirer”- Possibly one of the Oddest Teen movies of the 80’s?

Greetings and salutations, everyone! My apologies for my prolonged absence from this blog. I hope to remedy this problem with my next selection of reviews in the foreseeable future, so please stay tuned for more 80’s content!

I have seen my far share of corny movies in my time. Some can be charming in their ridiculousness.However, some can seem to  have all the makings of a typical 80’s teen romp, yet attempt to do do more than its material knows what to do with. This brings us to today’s subject: “Secret Admirer” (1985). The plot synopsis appears to be rather straightforward at first glance, but as the movie progresses, you’ll find that it’s anything but simple!

The Plot in a Nutshell: Michael Ryan (C. Thomas Howell) is your standard 80’s high school student who is infatuated with the blonde, seemingly unattainable Deborah Anne Fimple (Kelly Preston), while his brunette platonic friend Toni (Lori Loughlin) harbors a covert crush on him from afar. When Michael receives an anonymous letter in his locker, his buddy Roger (Casey Siemaszko) convinces Michael that Deborah Anne is the sender, despite her already having a college boyfriend in Steve (Scott McGinnis). He decides to reciprocate by sending Debbie a letter of his own. However, he proves to be less than a skilled writer, so Toni secretly doctors it before delivering it to Debbie, who instantly becomes smitten with Michael.

At this point, you’d think you know what to expect from a movie in this genre, right? Well, not so with this one! You see, the love letter ends up in a bag belonging to Michael’s father, George (Cliff DeYoung), who is taking a night school business class from Debbie’s mother Elizabeth (Leigh Taylor Young ). Naturally, George mistakenly thinks that the letter is from Elizabeth, and they engage in one of those comedic tropes I’ve always loathed, in which two characters talk about two completely different things, but somehow think that they’re discussing the same subject, which is typically laden with a string of sexual innuendos. It would be easier if they could just figure out the misunderstanding and sort it out, but then we wouldn’t have “hysterical” shenanigans!

Meanwhile, Debbie and Michael start to date and hit it off, much to Toni’s jealousy. And if that wasn’t bad enough, Debbie’s tough police officer father, Lou (Fred Ward) uncovers the letter in his wife’s purse, where Debbie had previously hidden it, and suspecting the worst, seeks out the help of George’s wife Connie (Dee Wallace Stone) in order to catch out their offending partners in the act. How’s this one going to pan out?

Actor/Character Observations: Lori Loughlin, as Toni, delivers possibly one of the more rounded performances in this picture, and is likable enough that you want to see her get the guy. C. Thomas Howell is credible enough in this movie, although wooden in places, and Kelly Preston is convincing enough for the most part as the stereotypical blonde popular girl. The adult actors do try to make the material they have to work with plausible, but it comes off as being preposterous.

My Favourite Scene(s) in “Secret Admirer”: Although many scenes in this movie are way too outlandish and over the top to take seriously, especially those between the adults, there are a few genuine, tender moments between the teenagers, especially the conversations between Michael and Toni, which compensates slightly for the more hammy and forced hiumours involving the adults. The actors have just the right amount of chemistry together which makes it seem believable that they could be close friends.

My Least Favourite Scene(s) in “Secret Admirer”: One scene which made me cringe, in addition to the aforementioned “double meaning conversation scene”,  was a confrontation between the parents late in the movie, where a tense meeting during a card game gradually segues into a full scale brawl between Lou and George,  culminating in tables being overturned and food splattering everywhere, which is obviously designed to be funny, but mostly comes off as being awkward and try hard. In general, many of the parent’s scenes feels as though it belongs in a separate  movie involving cheating spouses and adultery, and not as a side plot to a light-hearted teen comedy.

Actors Before They were Famous: A few years after this movie, Lori Loughlin got her big break from portraying Aunt Becky in “Full House”, which incidentically had an episode play out like the plot of this movie. The late Cory Haim appears in a bit part as Michael’s bratty kid brother, Jeff, who by stealing the letter, sends most of the plot into motion. Finally, Casey Siemaszko would pop up in “Back to the Future”, which was released a month after “Secret Admirer”, as one of Biff’s cronies.

Ratings and Recommendations: I award “Secret Admirer” a total of 2 out of 5 stars. While it’s generally an inoffensive, harmless teen movie, some of the characters aren’t that likable or relatable, with the exception of Toni, and many scenes just feel gratuitous, as though they’re present merely to increase the movie’s running time. Even though I gave “Can’t Buy Me Love”(1987) some flack for being too formulaic when I critiqued it, at least I can give it some credit for knowing what kind of story it wanted to tell.

In my opinion, “Secret Admirer” might have been better off if it had focused solely on the teenagers and their romantic entanglements, and not so much on the parents. I may not have enjoyed this movie to the same extent as other teen movies, and while it certainly isn’t the most memorable, you’ll enjoy the sheer ridiculousness of it all if you don’t analyse it too much. Until next time!