Molly Ringwald’s Baby Blues in “For Keeps”?

In the late 1980’s, there were a crop of “baby pictures” released, which entailed the main characters looking after an infant. These included “Three Men and a Baby” (1987), “Baby Boom” (1987) ,”Look Who’s Talking” (1989) and today’s topic, “For Keeps”? (1988). It is notable for starring 80’s favourite, Molly Ringwald, in her last leading role. Famous for her collaborations  with director – writer John Hughes in the “Brat Pack” movies, she eventually decided to sever ties with Hughes out of fear of becoming typecast, and wishing to pursue more adult film roles.

Ringwald plays Darcy, a high school senior who dreams of becoming a journalist. She is very much in love with her boyfriend, Stan (Randall Batinkoff). That gets tested when a weekend of sex leads to Darcy becoming pregnant. This prompts Darcy and Stan to have to face the consequences of their actions, and grow up beyond their years. Both of them face pressures from their parents regarding what to do about the baby. Darcy’s single mother Donna (Miriam Flynn) wants Darcy to get an abortion, while Stan’s devoutly Catholic parents (Kenneth Mars and Conchata Ferrell) urge them to go through with adopting the baby.

Ultimately, the young couple decide to keep their baby, and so drop out of high school and get married, but find that the responsibilities of young parenthood clash strongly with their ambitions for their future. Will they manage to tackle their newfound roles, or will they crumble under the pressure?

“For Keeps” had the best of intentions, but the production of this movie ultimately proved to be quite a troubled one. Ringwald mentioned that she originally signed on for the project to alert teenage girls about the realities of becoming parents at an early age. She would later go on to star in the ABC Family (now Freeform) series “The Secret Life of the American Teenager”, where she portrayed the mother of a pregnant teenager (Shailene Woodley), for much the same reason.

They also wished to showcase a successful instance of teenage  marriages, and that not all of them end badly. The film’s director, John G. Avildsen, who was known for directing such classics as “Rocky” (1976) and “The Karate Kid” (1984)clashed with Ringwald . Ringwald and Avildsen had differing perspectives on how to address the issue of teen pregnancy, and the script reportedly had to be altered numerous times. Ringwald envisioned the project as a “funny, cautionary tale, whereas Avilsden had “an engaging love story” in mind.

To the movie’s credit, it did address some of the drawbacks of pregnancy, such as financial difficulties and postpartum depression, as Darcy and Stan move to a small apartment, and Darcy struggles to give daughter Thea (short for Theodosia!) the support and care she requires. However, this is presented in an over the top, melodramatic manner, that it can be tricky to care about their problems when they are constantly fighting in an overzealous fashion. It has been acknowledged that Ringwald hoped that this movie would pave the way for more mature projects, and judging from her overacting in some scenes, it is rather apparent. That being addressed, her scenes with Batinkoff come off as touching and emotive. Batinkoff didn’t go on to any major roles after “For Keeps”, but he gives a mature, nuanced performance for the most part.

While “For Keeps” didn’t exactly catapult the careers of anyone involved, it is notable for having an up and coming Pauly Shore in a minor role as one of Stan’s friends. The ending ends on a positive note, but it seemed like everything was tied up a little too hastily and tidily.

I’d recommend this movie if you’re a fan of Ringwald and her earlier work, or enjoy coming of age stories. Although I wasn’t a huge fan of “For Keeps”, I didn’t despise it, either, as there were some moments that were done well, yet some others (such as a toppling Christmas tree) seemed to be thrown in just to illicit some slapstick and laughs into the gravitas. In summation, “For Keeps” earns 3 out of 5 stars.

 

Living on the Edge of Seventeen

First of all, let me just say “Happy 2017”! I apologise for putting this blog on hiatus for the past number of weeks. Surprising perhaps no one,I have spent most of that break watching plenty of 80’s movies to be the subjects of my future reviews of all things 80’s. My latest post is a little different, however, as it is based in the recently released movie, “The Edge of Seventeen” (2016), which is the directorial debut from screenwriter Kelly Fremon Craig. I was especially anticipating this movie because the leading role was played by Hailee Steinfeld, who I’ve admired as an actress since I saw her Oscar Nominated turn in the Coen Brothers’ 2010 remake of the classic 1969 western movie, “True Grit” at the tender age of 13.

The plot concerns Nadine (Hailee Steinfeld), an awkward, moody 17 year old girl who is trying to cope after the tragic  loss of her father just a few years prior. She feels overlooked by her frazzled mother Mona (Kyra Sedgwick) in favour of her “golden boy” brother, Darian (Blake Jenner).  She seeks solace in her best (not to mention, only) friend Krista (Haley Lu Richardson). At least until Darian and Krista hit it off and start dating, which instigates in Nadine abruptly putting an end to their friendship.

Feeling adrift and as alienated as ever, Nadine regularly vents her woes to her perpetually disgruntled teacher, Mr. Bruner (an always excellent Woody Harrelson), who is almost always reliable to respond to Nadine’s theatrics with some deadpan remarks of his own. On the romance front, Nadine harbours a crush on hunky bad boy Nick (Alexander Calvert), and tries to pluck up the courage to actually, you know, talk to him. Meanwhile, she strikes up a friendship with cute film nerd, Erwin (Hayden Szeto), who just might be able to show her that things are not nearly as bad as she makes them appear…

First things first, I really adored this movie. It manages to take a genre that would otherwise seem tired and overdone (in this case, high school), and breath a new lease of life into it. Being only a few years removed from high school myself, all of the teenage characters behaved and acted as real people their age would, and not simply a scriptwriter’s “idea” of how they “should” act.

This is most prominently shown with Nadine herself. On the outset, she’s a tough protagonist to root for. Yes, she’s a drama queen, overly impulsive, and extremely rude at some points to the people she’s supposedly close to, such as her family, her best friend and her teacher. But she’s a teenager, and many of her reactions at that age are understandable. It helps to make her feel more authentic as a result.

The supporting cast are also commendable in their roles. I had only ever seen Blake Jenner portray the “nice guy jock” in “Glee” prior to watching this movie. As a result, I found myself to be pleasantly surprised by the depths that Darian’s character took throughout the course of the movie. Because Nadine’s the protagonist, and the majority of the film is from her perspective, we’re not privy to other characters’ viewpoints until Nadine herself is made aware of them. Darian isn’t merely a smug jerk, nor is Krista being selfish by putting her boyfriend ahead of her best friend. They all have more going on with them than it initially appeared.

The highlight of the movie for me was any scene with Erwin. I always love nerdy characters in movies, and Erwin is no exception. He’s a sweet, well-adjusted guy, and is refreshingly not a stereotype , but much like Nadine, a real character. I was pretty surprised when I looked Hayden Szeto up online, and discovered that he’s 31 years old, yet Erwin can’t be no more than 16 or 17. However, this does does not take away from his otherwise solid performance.

In summation, I rate “The Edge of Seventeen” four and a half out of five stars. It’s one of the best high school movies that I’ve had the chance of viewing in quite a while, and I highly recommend watching it. Even though Nadine can be quite grating at times, once you get past that slight, the film works very well. It’s also topped off with a satisfying conclusion, which nicely ties up Nadine’s story arc.

I hope that you enjoyed this non  80’s movie review. As always, please feel free to suggest some more “Flix of the 80’s” .

“Stranger Things” is a Marvelous Homage to 1980’s Pop Culture

Greetings! Unless you’ve been living in a cave for the past two months, then you’ve probably  heard of the Netflix streamed series that took the world by storm earlier this year- “Stranger Things”, created by twins Matt and Ross Duffer. The Duffer Brothers have worked on shows such as “Wayward Pines” in the past. The Duffers have cited the works of Stephen King and John Carpenter  to be their biggest influences behind the show’s themes. They’ve even gone so far as to emulate the font from many of King’s novels for the title screenshot. It also pays homage to many of the classic movies of the 1980’s, such as “The Goonies”, “Stand by Me” and “E.T. : The Extraterrestrial” . It was a surprise summer hit that came right the heck out of nowhere, but instantly garnered a loyal fanbase.

After hearing about the rave reviews that it had been receiving, I decided to binge watch all eight episodes of the current series. After having viewed all of the episodes in about two days, I have so much to discuss regarding it.

The Plot in a Nutshell:  November 1983. In the sleepy suburban town of Hawkins, Indiana, 12 year old Will Byers (Noah Schnapp) disappears suddenly under mysterious circumstances one dark night after playing “Dungeons and Dragons” with his circle of misfit friends, Mike (Finn Wolfhard), Lucas (Caleb McLaughlin) and Dustin (Gaten Matarazzo) . His frantic mother, Joyce (Winona Ryder) is convinced that Will is still alive, and tries to communicate with him by using alphabet Christmas lights. Chief Hopper (David Harbour) is similarly anxious, and gradually uncovers a governmental conspiracy headed by the ominous Dr. Brenner (Matthew Modine).

While searching for Will, Mike, Lucas and Dustin stumble upon Eleven (Millie Bobby Brown), a mystical young girl with a shaved head and psychic abilities. Feeling that she can help them locate Will, the boys take her in as one of their own. They speculate that whatever stole Will is a creature similar to the “Demogorgon” from “Dungeons and Dragons”, and dub it as such.  Meanwhile, Will’s older brother Jonathan (Charlie Heaton) teams up with Mike’s sister Nancy (Natalia Dyer) to combat the Demogorgon, with the hope of finding both Will and Nancy’s best friend Barb (played by fan favourite Shannon Purser).  As these disparate parties continue to work upon the same case, things gradually come to a head in the final episode…

Actor/Character Observations: In my opinion, all of the actors were expertly cast in their respective roles. Winona Ryder, in particular, is convincing as a mother who has lost her child. While there are times when her performance can seem a little grating, it’s understandable, given the situation at hand. The child actors all give credible performances, particularly Millie Bobby Brown as Eleven. She doesn’t receive many verbal lines, seeing as Eleven has a basic gap in her language lexicon. However, what she lacks in words she more than makes up for with her eerie silence and haunting presence. The other preteens are also given time to shine, and their diverse personalities help to make them relatable to the audience. Dustin was easily my favourite of the bunch, as his one liners cracked me up to no end.

My Favourite Aspect of “Stranger Things”: What I love the most about this series is that it creates an essence of wonder of the 1980’s, and it’s evident that the Duffer brothers have a deep fondness for films and TV shows of that era. In addition to the original story, there’s references to nostalgic shows and pop culture that is synonymous with the 1980’s. Even if you come into this show not knowing what to expect, chances are that you’d be impressed by how spot on their references are in relation to the time period.  However, I occasionally found the obvious parallels, especially to “ET” and “The Goonies”, to be a little too overdone at times. On the other hand, that may be simply part of the show’s charm.

Ratings and Recommendations: “Stranger Things” receives a rating of 5 out of 5 stars,as I found “Stranger Things to be a riveting, enjoyable show.  What adds to its current popularity is that the narrative focuses on adults, teenagers and pubescent children, which means that several members of those demographics can relate to the various exploits that the cast get embroiled in, complete with supernatural elements. I’d suggest viewing this show if you’re a fan of Stephen King’s work, or if you’re a fan of supernatural movies such as “Aliens”.

As of this writing, a second series of “Stranger Things” has officially been commissioned,  and will be expected to air sometime in 2017. Here’s hoping that this upcoming continuation will supply all the answers to the questions that remain unanswered. But no matter what unfolds in Season 2, more stranger things will be afoot for our protagonists!

 

 

 

 

 

 

 

 

“Sing Street” is a Fantastic Irish Musical Comedy

For my latest movie review, I’m going to critique a movie that was released a few months ago in my native country of Ireland, and features a copious amount of Irish actors and was filmed in Dublin- “Sing Street” (2016), directed by John Carney. It deviates from my usual reviews in that it’s a recent movie which takes place in the 1980’s, as opposed to being released in that decade. The movie has drawn comparisons to Alan Parker’s 1991 musical comedy, “The Commitments”, which is also a movie about a group of youths based in Dublin who put a band together. Despite both of them including actress Maria Doyle Kennedy in a supporting role, the plots of both flicks are vastly different.

The Plot in a Nutshell: The year is 1985. 15 year old Conor Lalor (Ferdia Walsh-Peelo) doesn’t have the most enviable home life. His parents, Robert (Aidan Gillen) and Penny (Maria Doyle Kennedy) are constantly at each others’ throats. While his sister Ann (Kelly Thornton) copes by burying herself into her schoolwork,his college dropout brother Brendan  (Jack Reynor) smokes pot and makes wisecracks.  Due to the downsizing of the economy, Conor is transferred from his private school to Synge Street Christian Brothers School, a rough Catholic establishment. After running afoul of both schoolyard bullies and Brother Baxter (Don Wycherley), the school’s oppressive principal, Conor spies mysterious budding model Raphina (Lucy Boynton) from across the street. Willing to impress her, he offers her the chance to star in his band’s music video. The slight catch? The band doesn’t exist.

Nevertheless, Conor gathers a motley crew of musicians, who remarkably have all the skills needed to create a band. Guided by Brendan, he starts to write original songs for the group, now called “Sing Street” after their school, in a bid to distract himself from his crumbling domestic life. Along the way, he starts to become closer to Raphina, and he begins to embark on a path that he never quite anticipated…

Character/Actor Observations: For starters, the young ensemble cast was very expertly cast. I felt that all of the teenage band members had a natural presence, and that they would be the type of youths that I would run into on a daily basis. As someone who is used to seeing actors in their twenties and beyond portray teenagers on screen, it was refreshing to see real teenagers take on these roles. I especially liked the prominent relationship that Conor has with Brendan, as they reestablish the bond through their love of music. Reynor steals many of the scenes that he appears in, and has excellent brotherly chemistry with newcomer Walsh-Peelo. Lucy Boynton is well cast opposite Walsh-Peelo, and many of their scenes together were tinged with the appropriate amount of tenderness required.

My Favourite Scene in “Sing Street”: Two scenes vie for being my favourite in the movie. The first comes about when Sing Street are shooting their first music video, entitled “The Riddle of the Model” (definitely NOT inspired by Raphina). The video looks amateurish, exactly as if a group of kids had filmed it, with the band sporting garish costumes. The song is additionally catchy to boot!

The second scene appears much later in the movie, when Sing Street are scheduled to preform a concert in their school gym. Conor fantasizes about the whole school breaking out into a dance, to their song, “Drive it like you stole it”, clearly influenced by “Back to the Future”, with the students decked out in 1950’s attire, much like that movie. Beneath the humour, however, there is an undercurrent of sadness to this sequence, but it still manages to be entertaining and visually stunning to look at.

My Least Favourite Scene in “Sing Street”: If I’m being completely honest, I was on board with this film and the characters until the climax. Without giving too much away, I felt that the end didn’t quite mesh well with the rest of the movie, and frankly seemed a little rushed in my opinion. Some of you may hold different opinions on the ending, and I’d be interested to know how anyone feels regarding it.

Actors Before They were Famous: The jury’s still out on whether any of the young cast will amount to greater things in the future. However, it still contains supporting performances from many notable Irish actors, such as Aidan Gillen from acclaimed Irish gangster drama “Love/Hate”, and the aforementioned Maria Doyle Kennedy, who has appeared in such works as “Downton Abbey” and “Jupiter Ascending”.

Ratings and Recommendations : If you’re a fan of 80’s bands such as Duran Duran, The Clash, A-Ha and Hall and Oates, then I’d suggest watching this movie, as it makes for a trip down memory lane of sorts for those who grew up in the 1980’s. For those who were not as fortunate to grow up in that era, such as myself, it can give an insight to how people lived in Ireland in that period.

In summation, “Sing Street” receives a grand total of 4 and a half stars out of five. If you enjoyed this movie, I’d suggest watching some of John Carney’s other directorial projects, such as the Academy Award winning “Once” (2006), or 2013’s “Begin Again”, for some more tales of musical triumphs and pitfalls. Highly recommended!

 

Elisabeth Shue beats the Babysitting Blues in Classic 80’s Comedy

Hi there! Since the Disney Channel’s remake of “Adventures in Babysitting” starring Sabrina Carpenter and Sofia Carson premiered  as the 100th Disney Channel Original Movie recently, I decided that I would also view its 1987 predecessor of the same name, directed by Chris Columbus, who was also in the director’s chair in the first two movies in the Harry Potter Franchise, as well as “Home Alone”, “Gremlins” and “Mrs Doubtfire”.

Growing up, I used to dub this movie as “The Female Ferris Bueller Movie”, as even though the plots are vastly different from each other, they both deal with the characters having adventures through the course of only a few hours. And naturally, both deal with the main characters having to race to get home before the parents do. So, how does “Adventures in Babysitting” hold up almost 3 decades after its initial release?

The Plot in a Nutshell: It was only supposed to be a simple babysitting gig… Chris Parker (Elisabeth Shue) is your average suburban teenager who is anticipating date night with her hunky boyfriend Mike (Bradley Whitford), when he cancels on her at the last minute. So she’s lumbered with having to babysit the two Anderson kids, precocious and sarcastic Sara, (Maia Brewton), who has an obsession with sledgehammer wielding superhero Thor,  and sensitive older brother Brad (Keith Coogan), who has his own obsession in the form of an unrequited crush on his babysitter. Chris gets a sudden phone call from her runaway best friend Brenda (Penelope Ann Miller), who is stuck is a dodgy bus station in the middle of the Chicago city. After being blackmailed by Brad’s sleazy friend Daryl (Anthony Rapp) into taking him along with them, the quartet take off to pick up Brenda.

On route, Chris’ car gets a flat wheel , prompting them to hitch a lift with  one-armed trucker”Handsome” John Pruitt (John Ford Noonan), who seems friendly, until he finds out that his wife is cheating on him, that is. Following a shootout against the adulterous pair, Chris and the kids make a break for a getaway vehicle, right as it’s being stolen by amicable car thief Joe Gipp (Calvin Levels). This leads them to them being on the run from gangsters/car thieves after Daryl steals a Playboy with crucial information written on (and the model just so happens to resemble Chris- what are the chances?)

From there, the night just gets more crazier from that moment on, with their crazy excursion leading them to a blues club, a college party, where they run into helpful college student Dan(George Newbern), and a climax which involves a skyscraper tower. Will our heroes ever make it back before the Anderson parents?

Actor/Character Observations: Even though I felt that Elisabeth Shue’s character in “The Karate Kid” was rather bland, here I feel that because her character was of the most importance this time round, she actually carries the movie along. And the kid actors here given funny  lines, and generally weren’t annoying, as some child actors are prone to be. Out of the three kids, I enjoyed Sara the most, as she had some of the best quips. Coogan’s Brad was sweet and at times pitiful, thanks to his unattainable crush on Chris.

My Favourite Scene(s) in “Adventures in Babysitting”: The scene where Chris and her babysitting charges find themselves in a blues club following a chase from the gangsters and are forced to improvise a blues number to get off the stage. Chris sings a ditty inspired by her hectic night, with the blues musicians backing them up, complete with real life musician Albert Collins making an appearance as himself. The 2016 Disney remake converted this scene into a rap battle ,as a way to appeal to contemporary generations. In my case, it simply made me cringe for the entirety of its duration, and didn’t compare to the blues scenario of the original.

My Least Favourite Scene(s) in “Adventures in Babysitting”: I may be in the majority with this, both I found the scene towards the end of the movie where the quartet have to sneak into a party where Brad and Sara’s parents attending seems would have to get my vote for the scene I found tiresome. It appears to be more slapstick in tone than the rest of the movie, and the bulk of that scene features Chris having to don a mink coat to evade the possibility of the Andersons spotting her. It just didn’t work well at all for me.

Actors before they were Famous: Believe it or not, but Daryl’s actor, Anthony Rapp, would go on to originate the role of aspiring filmmaker Mark Cohen in the first production of legendary musical “Rent”. Similarly, Bradley Whitford, as the caddish Mike, later went on to have a career on the successful political show, “The West Wing”. (Even though Mike is presumably a high school senior, like Chris and Brenda, Whitford was 28 at the time, and he looks every one of those years!) Finally, Vincent D’Onofrio, from “Full Metal Jacket”, “Men in Black” and “Jurassic World” fame, cameos as Dawson, the garage boss.

Ratings and Recommendations: I’d give “Adventures in Babysitting” a solid rating of 3 and a half stars out of five. While some of the situations that our heroes find themselves in border on being slightly ridiculous, chances are that you’ll just go along with the plot, regardless of the lack of realism presented.

If you liked this feature, then I’d recommend viewing “Ferris Bueller’s Day Off” (you can read my review of the flick here.) If you’re interested in seeing the Disney remake, which has toned down many of the adult themes of the 80’s classic (namely omitting the swearing and the Playboy subplot), I’d suggest watching that with younger children. Please let me know if you’ve seen the reboot, and whether you prefer the classic or original flick!

 

“Fatal Attraction” isn’t a Thriller to be Ignored…

Greetings, bloggers! I’ve been watching a fair few thrillers as of late. Among these thrillers is the 1987 Adrian Lyne film, “Fatal  Attraction”.  As usual, I’ll be critiquing the plot of the movie, as well as the actors’ performances, my favourite and least favourite scenes, and whether or not it’s worth checking out. Without further delay, here’s “Fatal Attraction”!

The Plot in a Nutshell: Dan Gallagher (Michael Douglas) is a happily married lawyer based in New York City with his loving wife Beth (Anne Archer) and cute daughter Ellen (Ellen Hamilton Latzen). He should have little to no reason to engage in a meaningless one night stand, right? This isn’t the case, as his head is soon turned by Alex Forrest (Glenn Close), a comely publishing editor when Beth and Ellen are out of town, which leads to them sleeping together.  However, Dan instantly regrets his impromptu fling, and lets down Alex brusquely, who wishes for it to continue.

This turns out to be something that he’ll regret in retrospect, since Alex turns out to be scarily psychotic, even going as far to attempt suicide when Dan reveals his intentions to put their whole one night stand behind him. She soon begins stalking Dan and his family , becoming chummy with Beth and threatening to unveil the affair. This leaves Dan fearful over what lengths Alex will go to snag her man, including kidnapping Ellen,  but it soon transpires that not even Ellen’s pet bunny is safe from Alex’s wrath…

Character/Actor Observations: In my opinion, the main cast members absolutely nail their respective characters, especially Glenn Close, who is utterly compelling as the insane, scorned Alex. She has a superb foil in Anne Archer, who portrays the cuckolded, unsuspecting wife to a tee. Meanwhile, Michael Douglas delivers as a man who made a reckless decision in the spur of the moment, and must repent for his actions.

My Favourite Scene(s) in “Fatal Attraction”: The scene which comes to my mind when envisaging this film is the infamous “Bunny Boiler” scene, where Beth finds a nasty surprise awaiting her on the stove, courtesy of Alex. It helps to show us, the viewer, that things have just gotten really serious. It’s because of this scene that the term “Bunny Boiler” has gone down in history to be synonymous in pop culture with a cheating spouse, or a stalker.

My Least Favourite Scene(s) in “Fatal Attraction”: There wasn’t many scenes which I detested in the film. However, the sequence in which Alex kidnaps Ellen from her school is chilling. While it’s not bad by any means, the scene can really hit home to any parents in the audience, in that the idea of a child going off with a stranger just because they appeared to be nice could happen at any moment. Granted, Ellen doesn’t even realize that she’s being kidnapped, but it’s still a chilling, realistic sequence.

Actors Before they were Famous: This one’s for fans for the NBC sitcom, “30 Rock”. At the opening of the movie, we briefly see a teenage girl babysitting for the Gallaghers. This is Jane Krakowski, who would later be known for her role as diva Jenna Maroney on the sketch comedy.

Miscellaneous Trivia: It’s speculated that Alex has Borderline Personality Disorder, as many of the traits associated with that disorder are symptoms she exhibits throughout the movie, which include the common traits of fear of abandonment, mood swings and self harm. However, according to Glenn Close, when she read the script, she didn’t feel as though Alex had any known psychological disorder that she knew of. Close also states that to this day, passersby approach her on the street and remark “Thank you, you saved my marriage”!

My Take on “Fatal Attraction”: “Fatal Attraction” is a movie which still has the capacity to be genuinely shocking and suspenseful, even after almost 30 following the movie’s initial release. I present it with 3 and a half stars out of five, as it’s riveting and fast-paced, and you care about what happens to the characters, despite the fact that they make rash decisions at times.

Recommendations: If you enjoyed “Fatal Attraction” and wish to view other titles similar to it, then I’d suggest the gripping “Gone Girl”, starring Ben Affleck and Rosamund Pike. For a version of “Fatal Attraction” set in high school, check out 2002’s “Swimfan”, with Jesse Bradford, Erika Christensen and Shiri Appleby.

Rio isn’t to blame for Misguided “Comedy”

Those of you who who are familiar with my blog may remember my review on the 1983 movie “Flashdance”, around this time last year. It was a mediocre movie at best, not the worst I’ve ever seen, but it’s definitely far from being my most spectacular movie experience. As I detailed in that review, I was irritated by the characters, the plot and the whole implausibility of the premise. I was convinced that, at the time, I wouldn’t find need to review another  movie which annoyed me to the same extent as that one did.

Alas, I was sadly mistaken, as I came across one such film-  1984’s “Blame it on Rio”, starring British actor and Oscar Winner Michael Caine. I was hoping that due to Caine being a part of the cast, and with Hollywood starlet Demi Moore in her first movie role, that it would add an appeal to it. Unfortunately, this wasn’t the case, as will be explained.

The Plot in a Nutshell: Matthew (Caine) and Victor (Joseph Bologna) are best friends and businessmen who operate multiple hotels in several areas. Each has a teenage daughter- Nikki (Moore) for Matthew, and Jennifer (newcomer Michelle Johnson) for Victor. Victor is going through a rough divorce. Matthew’s own marriage isn’t faring any better, which he isn’t aware of until his wife Karen (Valerie Harper) informs him that she intends to boycott their intended holiday to Rio de Janeiro, and take a separate vacation by herself “to think things over”. This prompts Matthew and Victor to take the journey to Brazil with Nikki and Jennifer.

While there, Jennifer seduces Matthew, and in a moment of weakness, they have sex right there on the beach. The following morning, Jennifer attempts to resume their tryst where they left off, much to Matthew’s reluctance and insistence that it was a once off situation. This doesn’t thwart Jennifer, and she goes as far as to publicly bombard him with racy Polarids of herself. In the meantime, Victor suspects that Jennifer has a new beau, and enlists Matthew’s assistance in uncovering his identity.

Actor/Character Observations: In my opinion, none of the actors appear to be comfortable in their roles. Even Michael Caine doesn’t seem to surpass the material long enough, despite the fact that he’s a very talented actor. Johnson does what she can with the material, in her first leading role, even though she was 17 at the time. This makes her romance with Caine’s character all the more icky, as he was in his 40’s. Nikki isn’t given much to do, save for a scene where she passive aggressively ignores Matthew after witnessing him kiss Jennifer, but that’s the extent of it. Joseph Bologna didn’t really convince me as his character , but he has some comic timing with Caine.

But out of all of these characters, none of them made me more angry than Karen did. Once Matthew inevitably comes clean about his fling with Jennifer, she has the gall to be livid with him, when ( as we eventually learn), she hasn’t exactly been faithful herself. And nobody, not even Matthew, points out that if she hadn’t been so aloof with him in the first place, then he might’t have been so easily tempted by a teenage girl. Yet all blame is directed at Matthew (and to a lesser extent, Jennifer), leaving Karen to escape all retribution for her actions.

Favourite Scene(s) in “Blame it on Rio”: The only time I laughed at all during this movie was during the scene where Victor is poring through Jennifer’s diary in vain to uncover her new partner’s identity. When he reads that he has “lovely blue eyes”, Matthew instantly dons a pair of sunglasses to cover up his eyes. However, my laugh was a half-hearted one, as I felt that the whole situation, despite it being largely played for laughs, was still rather creepy and inappropriate.

Least Favourite Scene(s) in “Blame it on Rio”: It’s hard to pick just one scene that I utterly despised in a movie which seemed to be crammed with unpleasant moments. But the one that takes the cake for me was when Matthew and Victor are forced to share a bed together whilst bickering. Again, it’s played to generate laughs, but the whole subject matter just didn’t seem funny to me in the slightest.

My Take on “Blame it on Rio”: In my opinion, “Blame it on Rio” had the potential to be a memorable movie, but unfortunately the plot doesn’t quite payoff as expected. None of the characters, except Matthew, garnered my sympathy at all, and the entire plot was milking a serious situation for laughs. Towards the end, I never got the impression that any of the characters had learned anything from their exploits, and that they would be likely to slip into their old habits again.

Ratings and Recommendations: I award “Blame it on Rio” with two stars out of five. It just wasn’t riveting enough to capture my attention. As always, if any of you like this movie, that’s dandy, but it just wasn’t to my taste. I wouldn’t recommend “Blame it on Rio” to anyone in particular. If you’re looking for a Michael Caine film to view, I’d redirect you to “The Italian Job” (1967) or Caine’s Oscar winning turn in “Hannah and her Sisters”, the latter which features Caine as a more sympathetic character.