Molly Ringwald’s Baby Blues in “For Keeps”?

In the late 1980’s, there were a crop of “baby pictures” released, which entailed the main characters looking after an infant. These included “Three Men and a Baby” (1987), “Baby Boom” (1987) ,”Look Who’s Talking” (1989) and today’s topic, “For Keeps”? (1988). It is notable for starring 80’s favourite, Molly Ringwald, in her last leading role. Famous for her collaborations  with director – writer John Hughes in the “Brat Pack” movies, she eventually decided to sever ties with Hughes out of fear of becoming typecast, and wishing to pursue more adult film roles.

Ringwald plays Darcy, a high school senior who dreams of becoming a journalist. She is very much in love with her boyfriend, Stan (Randall Batinkoff). That gets tested when a weekend of sex leads to Darcy becoming pregnant. This prompts Darcy and Stan to have to face the consequences of their actions, and grow up beyond their years. Both of them face pressures from their parents regarding what to do about the baby. Darcy’s single mother Donna (Miriam Flynn) wants Darcy to get an abortion, while Stan’s devoutly Catholic parents (Kenneth Mars and Conchata Ferrell) urge them to go through with adopting the baby.

Ultimately, the young couple decide to keep their baby, and so drop out of high school and get married, but find that the responsibilities of young parenthood clash strongly with their ambitions for their future. Will they manage to tackle their newfound roles, or will they crumble under the pressure?

“For Keeps” had the best of intentions, but the production of this movie ultimately proved to be quite a troubled one. Ringwald mentioned that she originally signed on for the project to alert teenage girls about the realities of becoming parents at an early age. She would later go on to star in the ABC Family (now Freeform) series “The Secret Life of the American Teenager”, where she portrayed the mother of a pregnant teenager (Shailene Woodley), for much the same reason.

They also wished to showcase a successful instance of teenage  marriages, and that not all of them end badly. The film’s director, John G. Avildsen, who was known for directing such classics as “Rocky” (1976) and “The Karate Kid” (1984)clashed with Ringwald . Ringwald and Avildsen had differing perspectives on how to address the issue of teen pregnancy, and the script reportedly had to be altered numerous times. Ringwald envisioned the project as a “funny, cautionary tale, whereas Avilsden had “an engaging love story” in mind.

To the movie’s credit, it did address some of the drawbacks of pregnancy, such as financial difficulties and postpartum depression, as Darcy and Stan move to a small apartment, and Darcy struggles to give daughter Thea (short for Theodosia!) the support and care she requires. However, this is presented in an over the top, melodramatic manner, that it can be tricky to care about their problems when they are constantly fighting in an overzealous fashion. It has been acknowledged that Ringwald hoped that this movie would pave the way for more mature projects, and judging from her overacting in some scenes, it is rather apparent. That being addressed, her scenes with Batinkoff come off as touching and emotive. Batinkoff didn’t go on to any major roles after “For Keeps”, but he gives a mature, nuanced performance for the most part.

While “For Keeps” didn’t exactly catapult the careers of anyone involved, it is notable for having an up and coming Pauly Shore in a minor role as one of Stan’s friends. The ending ends on a positive note, but it seemed like everything was tied up a little too hastily and tidily.

I’d recommend this movie if you’re a fan of Ringwald and her earlier work, or enjoy coming of age stories. Although I wasn’t a huge fan of “For Keeps”, I didn’t despise it, either, as there were some moments that were done well, yet some others (such as a toppling Christmas tree) seemed to be thrown in just to illicit some slapstick and laughs into the gravitas. In summation, “For Keeps” earns 3 out of 5 stars.

 

A “Wonderful” Love Triangle Movie

Hello everyone!  It’s back to the 80’s reviews, and what better movie to kick off with than “Some Kind of Wonderful” (1987), directed by Howard Deutch. It has the old familiar set up of the hero being caught between two contrasting choices of girls. Roger Ebert probably summed up the concept best in his review, “it is not about whether the hero will get the girl, it is whether the hero should get the girl, and when was the last time you saw a movie that even knew that could be the question?”

Eric Stolz stars as Keith Nelson, an artsy teenage mechanic from a working class background. His best friend is a tomboyish drummer named Watts (Mary Stuart Masterson), and his dad Cliff (John Ashton), puts pressure on him to attend college, and get the education he never did, while Keith would much rather paint instead. He has a crush on the beautiful, seemingly unattainable Amanda Jones (Lea Thompson). In a refreshing take on the normal procedure, Amanda comes from the same modest background as Watts and Keith, but as she hangs out with the “popular” crowd, this makes her “rich by association”.

After Amanda breaks up with her caddish boyfriend, Hardy (Craig Sheffer), Keith wastes no time in asking her out. She accepts his offer, primarily out of spite for Hardy.  This eventually leads to Amanda being shunned by her snooty friends for daring to date outside the “in” crowd. Meanwhile, Watts has some issues of her own, as she has developed unrequited feelings for her best friend…

If you feel that the story that I’ve summarized sounds a little familiar, it’s because it was based the movie “Pretty in Pink” (1986), which preceded this movie by one year. It was not only directed by Howard Deutch, but was scripted by the king of 80’s teen movies, John Hughes. It’s worth noting that the stories are eeriely similar to each other. While “Pink” is about Molly Ringwald trying to choose between a smooth rich guy Andrew McCarthy and quirky best friend Jon Cryer, “Wonderful”  has essentially the exact same premise with the genders reversed.

When Hughes produced “Pretty in Pink”, his original intention was to have Molly Ringwald end up with Jon Cryer’s lovable goofball Duckie. However, the test audience for that film weren’t receptive to that ending, taking it as a sign that the rich and the poor social classes didn’t belong together. The ending was then changed to the one we all know, in which Ringwald ends up with McCarthy’s. It’s funny to note that had “Pink” ended up the way that Hughes originally envisioned it, it’s highly likely that we wouldn’t have “Wonderful”.

If I had to pick between “Pink” and “Wonderful” as being the better film, I’d ultimately have to choose the latter movie, as the supporting characters are more fleshed out and entertaining in my opinion. In “Wonderful”, we have  Duncan(Elias Koteas), a skinhead delinquent pal of Keith’s,who steals many of his scenes,  Laura (Maddie Corman), his annoying younger sister, and Ashton as the open-minded parent who just wants the best for his son.

As for the main trio of Stolz, Masterson and Thompson, they all pull off their respective roles with aplomb. Stolz is appealing as the man in the middle, Thompson pulls off the typical popular girl role with freshness, and Masterson shines as the friend who pines away from afar.

“Some Kind of Wonderful” rates as 4 stars our of a 5 star rating. Although it’s predictable and slow moving in parts, it ultimately captures the decisions of high school, and retains the typical Hughes charm that come from his teen movies. “Some Kind of Wonderful” was the last teen movie Hughes was involved in, before he decided to try his hand at making more adult themed pictures. Nevertheless, “Wonderful” ensures that Hughes’ teen movie period went out with not a fizzle, but with a bang.

If you enjoyed this review, please feel free to check out the movie, “Pretty in Pink”, or you can read my review of the film here! Until next time!

Living on the Edge of Seventeen

First of all, let me just say “Happy 2017”! I apologise for putting this blog on hiatus for the past number of weeks. Surprising perhaps no one,I have spent most of that break watching plenty of 80’s movies to be the subjects of my future reviews of all things 80’s. My latest post is a little different, however, as it is based in the recently released movie, “The Edge of Seventeen” (2016), which is the directorial debut from screenwriter Kelly Fremon Craig. I was especially anticipating this movie because the leading role was played by Hailee Steinfeld, who I’ve admired as an actress since I saw her Oscar Nominated turn in the Coen Brothers’ 2010 remake of the classic 1969 western movie, “True Grit” at the tender age of 13.

The plot concerns Nadine (Hailee Steinfeld), an awkward, moody 17 year old girl who is trying to cope after the tragic  loss of her father just a few years prior. She feels overlooked by her frazzled mother Mona (Kyra Sedgwick) in favour of her “golden boy” brother, Darian (Blake Jenner).  She seeks solace in her best (not to mention, only) friend Krista (Haley Lu Richardson). At least until Darian and Krista hit it off and start dating, which instigates in Nadine abruptly putting an end to their friendship.

Feeling adrift and as alienated as ever, Nadine regularly vents her woes to her perpetually disgruntled teacher, Mr. Bruner (an always excellent Woody Harrelson), who is almost always reliable to respond to Nadine’s theatrics with some deadpan remarks of his own. On the romance front, Nadine harbours a crush on hunky bad boy Nick (Alexander Calvert), and tries to pluck up the courage to actually, you know, talk to him. Meanwhile, she strikes up a friendship with cute film nerd, Erwin (Hayden Szeto), who just might be able to show her that things are not nearly as bad as she makes them appear…

First things first, I really adored this movie. It manages to take a genre that would otherwise seem tired and overdone (in this case, high school), and breath a new lease of life into it. Being only a few years removed from high school myself, all of the teenage characters behaved and acted as real people their age would, and not simply a scriptwriter’s “idea” of how they “should” act.

This is most prominently shown with Nadine herself. On the outset, she’s a tough protagonist to root for. Yes, she’s a drama queen, overly impulsive, and extremely rude at some points to the people she’s supposedly close to, such as her family, her best friend and her teacher. But she’s a teenager, and many of her reactions at that age are understandable. It helps to make her feel more authentic as a result.

The supporting cast are also commendable in their roles. I had only ever seen Blake Jenner portray the “nice guy jock” in “Glee” prior to watching this movie. As a result, I found myself to be pleasantly surprised by the depths that Darian’s character took throughout the course of the movie. Because Nadine’s the protagonist, and the majority of the film is from her perspective, we’re not privy to other characters’ viewpoints until Nadine herself is made aware of them. Darian isn’t merely a smug jerk, nor is Krista being selfish by putting her boyfriend ahead of her best friend. They all have more going on with them than it initially appeared.

The highlight of the movie for me was any scene with Erwin. I always love nerdy characters in movies, and Erwin is no exception. He’s a sweet, well-adjusted guy, and is refreshingly not a stereotype , but much like Nadine, a real character. I was pretty surprised when I looked Hayden Szeto up online, and discovered that he’s 31 years old, yet Erwin can’t be no more than 16 or 17. However, this does does not take away from his otherwise solid performance.

In summation, I rate “The Edge of Seventeen” four and a half out of five stars. It’s one of the best high school movies that I’ve had the chance of viewing in quite a while, and I highly recommend watching it. Even though Nadine can be quite grating at times, once you get past that slight, the film works very well. It’s also topped off with a satisfying conclusion, which nicely ties up Nadine’s story arc.

I hope that you enjoyed this non  80’s movie review. As always, please feel free to suggest some more “Flix of the 80’s” .

Why We Won’t Forget About “The Breakfast Club”

 

There are some movies out there that are simply iconic, whether they define a certain genre. “The Godfather” is considered the ultimate gangster thriller, “Rocky” as the top sports flick, and “Star Wars” as the greatest Space fantasy epic. But when it comes to high school movies, one is nearly always lauded as being the one that nearly everyone will remember as being the one flick which actually gets what’s its like to be a teenager- 1985’s “The Breakfast Club”, written and directed by the  king of 1980’s teen movies, John Hughes (1950-2009).

The Plot in a Nutshell:   March 24th, 1984, Shermer High School. Five high school students, all different stereotypes, who would never interact with each other under normal circumstances,  are forced to spend a  Saturday together – in detention. There’s John Bender, the aggressive, rebellious tough guy (Judd Nelson), Brian, the intellectual, amiable nerd, (Anthony Michael Hall), Claire, the pristine and pampered rich girl (Molly Ringwald), Andy, the acclaimed wrestler (Emilio Estevez), and Allison, the anonymous eyeliner-clad   loner (Ally Sheedy). They appear to have nothing in common except for their detained status and contempt for their overzealous, pompous principal, Richard Vernon (Paul Gleason). Initially, they do nothing but snipe at each other, and keep their distance, but as the day gradually wears on,they begin to learn about each of their home lives, and how there’s more to each of them than their first impressions suggested…

Actor/Character Observations:   Everyone gets a chance to shine, and not a single cast member can be faulted for their performances.  Hall is appealing as the sweet, vulnerable nerd with a hidden dark side, and Ringwald manages to make a typical snobby popular girl archetype into a sympathetic character. Estevez shows off his emotional acting chops in a rather touching scene. Sheedy makes the most out of playing a character who doesn’t even speak for most of her screentime, so she has to rely reacting to the others, until she slowly comes out of her shell .She and Estevez get some engaging moments together.  Nelson is at the core of most of the proceedings as  the thug whose wisecracks and bravado mask some deep-seated emotional problems.

The adult characters aren’t as strong as the teenagers, but Gleason delivers in his role as a grouchy disciplinarian who has lost touch with his youth. Finally, John Kapelos, as Carl the Janitor, acts as a foil to Vernon, in that he can easily relate to the kids, and has much more common sense than Vernon.

 My Favourite Scene(s) in “The Breakfast Club”: Where do I even begin with this category? There’s the crazily awesome dancing sequence where the gang just lets loose and dance together in the library, the club’s big emotional therapy session, and Bender’s “Eat my Shorts” verbal smackdown to Vernon (which may or may not have influenced Bart Simpson’s catchphrase only a few years later) .

But the most poignant moment has to be that after the group have emotionally opened up about their respective issues, they deduce that they’ll never be like their abusive parents. This prompts Allison to utter  “When you grow up, your heart dies”. This line alone sums up the belief that once we grow up, we lose all touch of the innocence and the possibilities that supposedly attends our teenage years. It’s after this scene that our protagonists appear willing to defy the  fate of becoming just as cold and uncaring as their parents before them.

My Least Favourite Scene(s) in “The Breakfast Club”: The scene that I always find difficult to watch in an otherwise fantastic movie is the one which takes place after Claire shows off her “lipstick trick” in front of the others (i.e. her ability to put on lipstick using her breasts). Bender is the only one who is unimpressed, and proceeds to cruelly mock and belittle her in front of everyone else.  Granted, he did have a rough home life, but it was still no excuse for reducing the poor girl to tears.

Ratings and Recommendations: So, after watching the movie again, do I still like it as much as I did? Well, after watching it again, I have to admit that it’s still one of my top movies. Even though it had been a while seen I had last viewed it, I still recall relating to the characters and their plights. The reason that this movie continues to relate to modern audience  members is because nearly everyone can identify with the protagonists. Even if you don’t empathize with the kids, you can still feel for Carl and Vernon, much like my friend. It delivers the underlying message is that nobody is alone, and we’re all going through similar issues in our lives, without being preachy.  “The Breakfast Club”earns a total of 4 and a half out of 5 stars from me.

So what do you think?  Is “The Breakfast Club” a classic or just plain overrated? Which clique did you fit into in school? Feel free to let me know! But for now, I’ll let Simple Minds have the last word with their iconic ditty, “Don’t You (Forget About Me)”. Until next time!

“Stranger Things” is a Marvelous Homage to 1980’s Pop Culture

Greetings! Unless you’ve been living in a cave for the past two months, then you’ve probably  heard of the Netflix streamed series that took the world by storm earlier this year- “Stranger Things”, created by twins Matt and Ross Duffer. The Duffer Brothers have worked on shows such as “Wayward Pines” in the past. The Duffers have cited the works of Stephen King and John Carpenter  to be their biggest influences behind the show’s themes. They’ve even gone so far as to emulate the font from many of King’s novels for the title screenshot. It also pays homage to many of the classic movies of the 1980’s, such as “The Goonies”, “Stand by Me” and “E.T. : The Extraterrestrial” . It was a surprise summer hit that came right the heck out of nowhere, but instantly garnered a loyal fanbase.

After hearing about the rave reviews that it had been receiving, I decided to binge watch all eight episodes of the current series. After having viewed all of the episodes in about two days, I have so much to discuss regarding it.

The Plot in a Nutshell:  November 1983. In the sleepy suburban town of Hawkins, Indiana, 12 year old Will Byers (Noah Schnapp) disappears suddenly under mysterious circumstances one dark night after playing “Dungeons and Dragons” with his circle of misfit friends, Mike (Finn Wolfhard), Lucas (Caleb McLaughlin) and Dustin (Gaten Matarazzo) . His frantic mother, Joyce (Winona Ryder) is convinced that Will is still alive, and tries to communicate with him by using alphabet Christmas lights. Chief Hopper (David Harbour) is similarly anxious, and gradually uncovers a governmental conspiracy headed by the ominous Dr. Brenner (Matthew Modine).

While searching for Will, Mike, Lucas and Dustin stumble upon Eleven (Millie Bobby Brown), a mystical young girl with a shaved head and psychic abilities. Feeling that she can help them locate Will, the boys take her in as one of their own. They speculate that whatever stole Will is a creature similar to the “Demogorgon” from “Dungeons and Dragons”, and dub it as such.  Meanwhile, Will’s older brother Jonathan (Charlie Heaton) teams up with Mike’s sister Nancy (Natalia Dyer) to combat the Demogorgon, with the hope of finding both Will and Nancy’s best friend Barb (played by fan favourite Shannon Purser).  As these disparate parties continue to work upon the same case, things gradually come to a head in the final episode…

Actor/Character Observations: In my opinion, all of the actors were expertly cast in their respective roles. Winona Ryder, in particular, is convincing as a mother who has lost her child. While there are times when her performance can seem a little grating, it’s understandable, given the situation at hand. The child actors all give credible performances, particularly Millie Bobby Brown as Eleven. She doesn’t receive many verbal lines, seeing as Eleven has a basic gap in her language lexicon. However, what she lacks in words she more than makes up for with her eerie silence and haunting presence. The other preteens are also given time to shine, and their diverse personalities help to make them relatable to the audience. Dustin was easily my favourite of the bunch, as his one liners cracked me up to no end.

My Favourite Aspect of “Stranger Things”: What I love the most about this series is that it creates an essence of wonder of the 1980’s, and it’s evident that the Duffer brothers have a deep fondness for films and TV shows of that era. In addition to the original story, there’s references to nostalgic shows and pop culture that is synonymous with the 1980’s. Even if you come into this show not knowing what to expect, chances are that you’d be impressed by how spot on their references are in relation to the time period.  However, I occasionally found the obvious parallels, especially to “ET” and “The Goonies”, to be a little too overdone at times. On the other hand, that may be simply part of the show’s charm.

Ratings and Recommendations: “Stranger Things” receives a rating of 5 out of 5 stars,as I found “Stranger Things to be a riveting, enjoyable show.  What adds to its current popularity is that the narrative focuses on adults, teenagers and pubescent children, which means that several members of those demographics can relate to the various exploits that the cast get embroiled in, complete with supernatural elements. I’d suggest viewing this show if you’re a fan of Stephen King’s work, or if you’re a fan of supernatural movies such as “Aliens”.

As of this writing, a second series of “Stranger Things” has officially been commissioned,  and will be expected to air sometime in 2017. Here’s hoping that this upcoming continuation will supply all the answers to the questions that remain unanswered. But no matter what unfolds in Season 2, more stranger things will be afoot for our protagonists!

 

 

 

 

 

 

 

 

Serenades, Boomboxes and John Cusack make”Say Anything” an Endearing Love Story

As per a recent request, I’ve decided to make the 1989 Cameron Crowe romance movie, “Say Anything”, the subject of my newest post. Chances are, many of you have heard of the movie through the excellent 2010 high school comedy, “Easy A”. You may also have heard of the movie through the countless parodies that have been spawned of a particular scene involving a boombox playing Peter Gabriel’s “In your Eyes”. But the question is, how does the rest of the movie hold up in comparison to that scene?

The Plot in a Nutshell: Recent high school graduate Lloyd Dobler (John Cusack) is a kind-hearted, yet aimless underachiever with no set direction in his life other than kickboxing. Diane Court (Ione Skye) is the brainy class valedictorian with a scholarship in England ahead of her. They’re poles apart, but when they become an item the summer before college, no one is more opposed to the match than Diane’s divorced father, James (John Mahoney). The owner of a retirement home, James has always shared a special bond with Diane, to the point where he has encouraged her to “say anything” to him, hence the movie’s title. The last thing he desires is for his precious daughter to be distracted by who he deems to be an irresponsible slacker.

As the summer progresses, Lloyd and Diane grow more in love with each other, eventually leading to them consummating their relationship in the back of a car. Pressured by her father, Diane ends things with Lloyd. Never one to be deterred, Lloyd attempts to win back her affections, to no avail. Meanwhile, Diane grows to see that perhaps perfection isn’t everything, and that maybe Lloyd is the only person she can truly trust, as her beloved father comes under scrutiny of the Internal Revenue Service…

Character/Actor Observations: This movie is one of my favourites in John Cusack’s filmography. In my opinion, Lloyd is one of the nicest, most sympathetic characters that Cusack has ever portrayed on screen. Though his earnestness, he creates a character whom the audience empathizes with. Ione Skye is an excellent choice as  Diane, conveying the unsureness  of a high school girl who, despite having all the makings of success, but has felt alienated throughout her school career as a result. Lloyd admires her for her intelligence, and despite her initially not knowing much about him, they hit it off. The chemistry between Cusack and Skye comes off as being authentic and unforced, and they have several gentle, charismatic moments together.

My Favourite Scene in “Say Anything”: My favourite scene from this movie would have to be when Lloyd and Diane are proclaiming their love to each other after Lloyd’s kickboxing session. After all they’ve been through, it makes for a heartwarming moment that they’re both vowing to be there for each other from that moment onwards.

My Least Favourite Scene in “Say Anything”: Although it’s hard for me to select  a scene from this film that I didn’t think worked well, I have to say that I felt slightly underwhelmed by the famous boombox scene. Perhaps this was due to having seen it relentlessly be lampooned through various forms of pop culture over the years, that when the scene itself popped up, it was something of a letdown for me. While I feel that it’s still a powerful, striking scene in its own right, I was ultimately let down by the hype surrounding the scene in pop culture.

Actors Before they were Famous: In addition to Cusack, his sister, Joan Cusack, appears in a few brief scenes, as Lloyd’s… sister. John Mahoney, of “Frasier” fame, appears in one of his earliest roles, pulling off an impressive American accent which hides his British origins. Finally, future “Six Feet Under” actress Lili Taylor has a supporting role as Corey, one of Lloyd’s female confidants, who advises him “The world is full of guys. Be a man, don’t be a guy”.

My Take on “Say Anything”: “Say Anything” has quite a straightforward story, but treats the main characters with sympathy. What I admire the most about this movie is that through his direction of the material, Cameron Crowe permits for us to view James as a humane character, and not a one dimensional caricature. The two most vital relationships in the movie are ones that Diane has with both Lloyd and her father. For me, one of the highlights I have watching the movie are seeing both of these respective relationships evolve and be altered. To my surprise, I found myself feeling sorry for James, as while some of his actions were questionable, he comes across as any parent who simply wants the best for his child, and not as a one note villain, as some other teen movies may have portrayed him as.

Ratings and Recommendations: “Say Anything” receives a distinctional rate of 5 out of 5 stars from me. Its story make be straightforward, but it’ll appeal to those of you who enjoy watching films which showcase the ordinary lives of teenagers, while not preaching or looking down on them. The narrative understands what it is to be a teenager with a seemingly impossible love.

If you enjoyed this feature, then I recommend some of Crowe’s other works, such as “Almost Famous”, “Jerry Maguire” or “Elizabethtown”. As always, if you have any suggestions for a movie or a TV show that I could review, please feel free to share them in the comments!

“Sing Street” is a Fantastic Irish Musical Comedy

For my latest movie review, I’m going to critique a movie that was released a few months ago in my native country of Ireland, and features a copious amount of Irish actors and was filmed in Dublin- “Sing Street” (2016), directed by John Carney. It deviates from my usual reviews in that it’s a recent movie which takes place in the 1980’s, as opposed to being released in that decade. The movie has drawn comparisons to Alan Parker’s 1991 musical comedy, “The Commitments”, which is also a movie about a group of youths based in Dublin who put a band together. Despite both of them including actress Maria Doyle Kennedy in a supporting role, the plots of both flicks are vastly different.

The Plot in a Nutshell: The year is 1985. 15 year old Conor Lalor (Ferdia Walsh-Peelo) doesn’t have the most enviable home life. His parents, Robert (Aidan Gillen) and Penny (Maria Doyle Kennedy) are constantly at each others’ throats. While his sister Ann (Kelly Thornton) copes by burying herself into her schoolwork,his college dropout brother Brendan  (Jack Reynor) smokes pot and makes wisecracks.  Due to the downsizing of the economy, Conor is transferred from his private school to Synge Street Christian Brothers School, a rough Catholic establishment. After running afoul of both schoolyard bullies and Brother Baxter (Don Wycherley), the school’s oppressive principal, Conor spies mysterious budding model Raphina (Lucy Boynton) from across the street. Willing to impress her, he offers her the chance to star in his band’s music video. The slight catch? The band doesn’t exist.

Nevertheless, Conor gathers a motley crew of musicians, who remarkably have all the skills needed to create a band. Guided by Brendan, he starts to write original songs for the group, now called “Sing Street” after their school, in a bid to distract himself from his crumbling domestic life. Along the way, he starts to become closer to Raphina, and he begins to embark on a path that he never quite anticipated…

Character/Actor Observations: For starters, the young ensemble cast was very expertly cast. I felt that all of the teenage band members had a natural presence, and that they would be the type of youths that I would run into on a daily basis. As someone who is used to seeing actors in their twenties and beyond portray teenagers on screen, it was refreshing to see real teenagers take on these roles. I especially liked the prominent relationship that Conor has with Brendan, as they reestablish the bond through their love of music. Reynor steals many of the scenes that he appears in, and has excellent brotherly chemistry with newcomer Walsh-Peelo. Lucy Boynton is well cast opposite Walsh-Peelo, and many of their scenes together were tinged with the appropriate amount of tenderness required.

My Favourite Scene in “Sing Street”: Two scenes vie for being my favourite in the movie. The first comes about when Sing Street are shooting their first music video, entitled “The Riddle of the Model” (definitely NOT inspired by Raphina). The video looks amateurish, exactly as if a group of kids had filmed it, with the band sporting garish costumes. The song is additionally catchy to boot!

The second scene appears much later in the movie, when Sing Street are scheduled to preform a concert in their school gym. Conor fantasizes about the whole school breaking out into a dance, to their song, “Drive it like you stole it”, clearly influenced by “Back to the Future”, with the students decked out in 1950’s attire, much like that movie. Beneath the humour, however, there is an undercurrent of sadness to this sequence, but it still manages to be entertaining and visually stunning to look at.

My Least Favourite Scene in “Sing Street”: If I’m being completely honest, I was on board with this film and the characters until the climax. Without giving too much away, I felt that the end didn’t quite mesh well with the rest of the movie, and frankly seemed a little rushed in my opinion. Some of you may hold different opinions on the ending, and I’d be interested to know how anyone feels regarding it.

Actors Before They were Famous: The jury’s still out on whether any of the young cast will amount to greater things in the future. However, it still contains supporting performances from many notable Irish actors, such as Aidan Gillen from acclaimed Irish gangster drama “Love/Hate”, and the aforementioned Maria Doyle Kennedy, who has appeared in such works as “Downton Abbey” and “Jupiter Ascending”.

Ratings and Recommendations : If you’re a fan of 80’s bands such as Duran Duran, The Clash, A-Ha and Hall and Oates, then I’d suggest watching this movie, as it makes for a trip down memory lane of sorts for those who grew up in the 1980’s. For those who were not as fortunate to grow up in that era, such as myself, it can give an insight to how people lived in Ireland in that period.

In summation, “Sing Street” receives a grand total of 4 and a half stars out of five. If you enjoyed this movie, I’d suggest watching some of John Carney’s other directorial projects, such as the Academy Award winning “Once” (2006), or 2013’s “Begin Again”, for some more tales of musical triumphs and pitfalls. Highly recommended!