“Spaceballs” – Going where No “Star Wars” Parody has gone Before

On the 25th of May, 1977, a little movie entitled “Star Wars”: A New Hope was released in theatres worldwide.  A long time ago, in a galaxy far, far, away,  Luke Skywalker, ( Mark Hamill),a humble farmboy, gets thrust into an intergalactic war, and must rescue a princess from distress. As you all know, the franchise is possibly one of the most iconic out there, next to “Lord of the Rings”, “Harry Potter”, “James Bond” and the Marvel Cinematic Universe. 2017 marks the 40th anniversary of this acclaimed series. So, to celebrate, I’m going to review  Mel Brook’s 1987 parody “Spaceballs”, which gleefully sends up all of the common tropes and plot lines from George Lucas’ classic space odyssey adventure, and while the plot closely rehashes many elements of the original trilogy, it also pokes fun of other TV shows and movies, such as “Star Trek”, “Jaws”, “Alien” and “Planet of the Apes”, in very much the same fashion as the “Airplane” or “Naked Gun” movies!

In “Spaceballs”,  the villainous Dark Helmet (Rick Moranis) plots to capture spoiled princess Vespa (Daphne Zuniga) and deprive her planet Druidia of air. It’s up to scruffy space jockey Lone Starr (Bill Pullman) and his loyal mawg (Half-man, half-dog) sidekick Barf (John Candy) to step up to the challenge and rescue her. Along the way, they encounter some parodies of “Star Wars” characters, such as the CP30 inspired bot, Dot Matrix (voiced by Joan Rivers), gangster Pizza the Hut (Dom DeLuise), and the sage mentor Yoghurt (played by Brooks himself), who advises our heroes to use the power of “the schwartz” when necessary.

In one word, “Spaceballs”, is, well, ridiculous. However, it’s cheerfully aware of its own absurdity, and has the characters acknowledge that they’re in a movie several times by openly “breaking the forth wall, so to speak. This is brilliantly conveyed in one particular scene, in which Helmet and his underling, Colonel Sandurz (George Wyner) actually watch “Spaceballs: The Movie” in order to get a solution to their current dilemma, and end up viewing themselves viewing themselves in the actual scene that we’re currently watching! A similar joke also involves Yoghurt brandishing “Spaceballs” merchandise, including t-shirts, lunchboxes and a flamethrower.

Another favourite gag towards the end of the movie involves a cameo from the late actor, John Hurt, in a replication of his famous “chestbuster” scene from the original “Alien” (1979) movie. This  comes complete with the alien performing a ragtime dance number in the style of Michigan J. Frog from the old cartoon short “One Froggy Evening”. Hurt’s reaction of “Not again” , makes the spectacle all the more funnier.

John Candy, as always, is as brilliant with his jokes as ever. In addition to Yoghurt, Brooks also plays ditsy Spaceball president  Skroob, and Rick Moranis, best known for playing nerdy characters in works such as “Ghostbusters” and “Honey, I shrunk the kids”.

“Spaceballs” is a fun movie to watch, and I give it 3 out of 5 stars in total. Even if you’re not a fan of the “Star Wars” franchise, you may enjoy many of the cultural gags and references that are scattered throughout.  The movie was followed by a short lived animated adaptation decades later, but it didn’t fare too well, and was axed by the network before it even aired. Its brand of humour won’t suit to everyone’s tastes. Nevertheless, I would still recommend giving this flick a watch, anyway. May the schwartz be with you!

Why We Won’t Forget About “The Breakfast Club”

 

There are some movies out there that are simply iconic, whether they define a certain genre. “The Godfather” is considered the ultimate gangster thriller, “Rocky” as the top sports flick, and “Star Wars” as the greatest Space fantasy epic. But when it comes to high school movies, one is nearly always lauded as being the one that nearly everyone will remember as being the one flick which actually gets what’s its like to be a teenager- 1985’s “The Breakfast Club”, written and directed by the  king of 1980’s teen movies, John Hughes (1950-2009).

The Plot in a Nutshell:   March 24th, 1984, Shermer High School. Five high school students, all different stereotypes, who would never interact with each other under normal circumstances,  are forced to spend a  Saturday together – in detention. There’s John Bender, the aggressive, rebellious tough guy (Judd Nelson), Brian, the intellectual, amiable nerd, (Anthony Michael Hall), Claire, the pristine and pampered rich girl (Molly Ringwald), Andy, the acclaimed wrestler (Emilio Estevez), and Allison, the anonymous eyeliner-clad   loner (Ally Sheedy). They appear to have nothing in common except for their detained status and contempt for their overzealous, pompous principal, Richard Vernon (Paul Gleason). Initially, they do nothing but snipe at each other, and keep their distance, but as the day gradually wears on,they begin to learn about each of their home lives, and how there’s more to each of them than their first impressions suggested…

Actor/Character Observations:   Everyone gets a chance to shine, and not a single cast member can be faulted for their performances.  Hall is appealing as the sweet, vulnerable nerd with a hidden dark side, and Ringwald manages to make a typical snobby popular girl archetype into a sympathetic character. Estevez shows off his emotional acting chops in a rather touching scene. Sheedy makes the most out of playing a character who doesn’t even speak for most of her screentime, so she has to rely reacting to the others, until she slowly comes out of her shell .She and Estevez get some engaging moments together.  Nelson is at the core of most of the proceedings as  the thug whose wisecracks and bravado mask some deep-seated emotional problems.

The adult characters aren’t as strong as the teenagers, but Gleason delivers in his role as a grouchy disciplinarian who has lost touch with his youth. Finally, John Kapelos, as Carl the Janitor, acts as a foil to Vernon, in that he can easily relate to the kids, and has much more common sense than Vernon.

 My Favourite Scene(s) in “The Breakfast Club”: Where do I even begin with this category? There’s the crazily awesome dancing sequence where the gang just lets loose and dance together in the library, the club’s big emotional therapy session, and Bender’s “Eat my Shorts” verbal smackdown to Vernon (which may or may not have influenced Bart Simpson’s catchphrase only a few years later) .

But the most poignant moment has to be that after the group have emotionally opened up about their respective issues, they deduce that they’ll never be like their abusive parents. This prompts Allison to utter  “When you grow up, your heart dies”. This line alone sums up the belief that once we grow up, we lose all touch of the innocence and the possibilities that supposedly attends our teenage years. It’s after this scene that our protagonists appear willing to defy the  fate of becoming just as cold and uncaring as their parents before them.

My Least Favourite Scene(s) in “The Breakfast Club”: The scene that I always find difficult to watch in an otherwise fantastic movie is the one which takes place after Claire shows off her “lipstick trick” in front of the others (i.e. her ability to put on lipstick using her breasts). Bender is the only one who is unimpressed, and proceeds to cruelly mock and belittle her in front of everyone else.  Granted, he did have a rough home life, but it was still no excuse for reducing the poor girl to tears.

Ratings and Recommendations: So, after watching the movie again, do I still like it as much as I did? Well, after watching it again, I have to admit that it’s still one of my top movies. Even though it had been a while seen I had last viewed it, I still recall relating to the characters and their plights. The reason that this movie continues to relate to modern audience  members is because nearly everyone can identify with the protagonists. Even if you don’t empathize with the kids, you can still feel for Carl and Vernon, much like my friend. It delivers the underlying message is that nobody is alone, and we’re all going through similar issues in our lives, without being preachy.  “The Breakfast Club”earns a total of 4 and a half out of 5 stars from me.

So what do you think?  Is “The Breakfast Club” a classic or just plain overrated? Which clique did you fit into in school? Feel free to let me know! But for now, I’ll let Simple Minds have the last word with their iconic ditty, “Don’t You (Forget About Me)”. Until next time!

“Secret Admirer”- Possibly one of the Oddest Teen movies of the 80’s?

Greetings and salutations, everyone! My apologies for my prolonged absence from this blog. I hope to remedy this problem with my next selection of reviews in the foreseeable future, so please stay tuned for more 80’s content!

I have seen my far share of corny movies in my time. Some can be charming in their ridiculousness.However, some can seem to  have all the makings of a typical 80’s teen romp, yet attempt to do do more than its material knows what to do with. This brings us to today’s subject: “Secret Admirer” (1985). The plot synopsis appears to be rather straightforward at first glance, but as the movie progresses, you’ll find that it’s anything but simple!

The Plot in a Nutshell: Michael Ryan (C. Thomas Howell) is your standard 80’s high school student who is infatuated with the blonde, seemingly unattainable Deborah Anne Fimple (Kelly Preston), while his brunette platonic friend Toni (Lori Loughlin) harbors a covert crush on him from afar. When Michael receives an anonymous letter in his locker, his buddy Roger (Casey Siemaszko) convinces Michael that Deborah Anne is the sender, despite her already having a college boyfriend in Steve (Scott McGinnis). He decides to reciprocate by sending Debbie a letter of his own. However, he proves to be less than a skilled writer, so Toni secretly doctors it before delivering it to Debbie, who instantly becomes smitten with Michael.

At this point, you’d think you know what to expect from a movie in this genre, right? Well, not so with this one! You see, the love letter ends up in a bag belonging to Michael’s father, George (Cliff DeYoung), who is taking a night school business class from Debbie’s mother Elizabeth (Leigh Taylor Young ). Naturally, George mistakenly thinks that the letter is from Elizabeth, and they engage in one of those comedic tropes I’ve always loathed, in which two characters talk about two completely different things, but somehow think that they’re discussing the same subject, which is typically laden with a string of sexual innuendos. It would be easier if they could just figure out the misunderstanding and sort it out, but then we wouldn’t have “hysterical” shenanigans!

Meanwhile, Debbie and Michael start to date and hit it off, much to Toni’s jealousy. And if that wasn’t bad enough, Debbie’s tough police officer father, Lou (Fred Ward) uncovers the letter in his wife’s purse, where Debbie had previously hidden it, and suspecting the worst, seeks out the help of George’s wife Connie (Dee Wallace Stone) in order to catch out their offending partners in the act. How’s this one going to pan out?

Actor/Character Observations: Lori Loughlin, as Toni, delivers possibly one of the more rounded performances in this picture, and is likable enough that you want to see her get the guy. C. Thomas Howell is credible enough in this movie, although wooden in places, and Kelly Preston is convincing enough for the most part as the stereotypical blonde popular girl. The adult actors do try to make the material they have to work with plausible, but it comes off as being preposterous.

My Favourite Scene(s) in “Secret Admirer”: Although many scenes in this movie are way too outlandish and over the top to take seriously, especially those between the adults, there are a few genuine, tender moments between the teenagers, especially the conversations between Michael and Toni, which compensates slightly for the more hammy and forced hiumours involving the adults. The actors have just the right amount of chemistry together which makes it seem believable that they could be close friends.

My Least Favourite Scene(s) in “Secret Admirer”: One scene which made me cringe, in addition to the aforementioned “double meaning conversation scene”,  was a confrontation between the parents late in the movie, where a tense meeting during a card game gradually segues into a full scale brawl between Lou and George,  culminating in tables being overturned and food splattering everywhere, which is obviously designed to be funny, but mostly comes off as being awkward and try hard. In general, many of the parent’s scenes feels as though it belongs in a separate  movie involving cheating spouses and adultery, and not as a side plot to a light-hearted teen comedy.

Actors Before They were Famous: A few years after this movie, Lori Loughlin got her big break from portraying Aunt Becky in “Full House”, which incidentically had an episode play out like the plot of this movie. The late Cory Haim appears in a bit part as Michael’s bratty kid brother, Jeff, who by stealing the letter, sends most of the plot into motion. Finally, Casey Siemaszko would pop up in “Back to the Future”, which was released a month after “Secret Admirer”, as one of Biff’s cronies.

Ratings and Recommendations: I award “Secret Admirer” a total of 2 out of 5 stars. While it’s generally an inoffensive, harmless teen movie, some of the characters aren’t that likable or relatable, with the exception of Toni, and many scenes just feel gratuitous, as though they’re present merely to increase the movie’s running time. Even though I gave “Can’t Buy Me Love”(1987) some flack for being too formulaic when I critiqued it, at least I can give it some credit for knowing what kind of story it wanted to tell.

In my opinion, “Secret Admirer” might have been better off if it had focused solely on the teenagers and their romantic entanglements, and not so much on the parents. I may not have enjoyed this movie to the same extent as other teen movies, and while it certainly isn’t the most memorable, you’ll enjoy the sheer ridiculousness of it all if you don’t analyse it too much. Until next time!

“Stranger Things” is a Marvelous Homage to 1980’s Pop Culture

Greetings! Unless you’ve been living in a cave for the past two months, then you’ve probably  heard of the Netflix streamed series that took the world by storm earlier this year- “Stranger Things”, created by twins Matt and Ross Duffer. The Duffer Brothers have worked on shows such as “Wayward Pines” in the past. The Duffers have cited the works of Stephen King and John Carpenter  to be their biggest influences behind the show’s themes. They’ve even gone so far as to emulate the font from many of King’s novels for the title screenshot. It also pays homage to many of the classic movies of the 1980’s, such as “The Goonies”, “Stand by Me” and “E.T. : The Extraterrestrial” . It was a surprise summer hit that came right the heck out of nowhere, but instantly garnered a loyal fanbase.

After hearing about the rave reviews that it had been receiving, I decided to binge watch all eight episodes of the current series. After having viewed all of the episodes in about two days, I have so much to discuss regarding it.

The Plot in a Nutshell:  November 1983. In the sleepy suburban town of Hawkins, Indiana, 12 year old Will Byers (Noah Schnapp) disappears suddenly under mysterious circumstances one dark night after playing “Dungeons and Dragons” with his circle of misfit friends, Mike (Finn Wolfhard), Lucas (Caleb McLaughlin) and Dustin (Gaten Matarazzo) . His frantic mother, Joyce (Winona Ryder) is convinced that Will is still alive, and tries to communicate with him by using alphabet Christmas lights. Chief Hopper (David Harbour) is similarly anxious, and gradually uncovers a governmental conspiracy headed by the ominous Dr. Brenner (Matthew Modine).

While searching for Will, Mike, Lucas and Dustin stumble upon Eleven (Millie Bobby Brown), a mystical young girl with a shaved head and psychic abilities. Feeling that she can help them locate Will, the boys take her in as one of their own. They speculate that whatever stole Will is a creature similar to the “Demogorgon” from “Dungeons and Dragons”, and dub it as such.  Meanwhile, Will’s older brother Jonathan (Charlie Heaton) teams up with Mike’s sister Nancy (Natalia Dyer) to combat the Demogorgon, with the hope of finding both Will and Nancy’s best friend Barb (played by fan favourite Shannon Purser).  As these disparate parties continue to work upon the same case, things gradually come to a head in the final episode…

Actor/Character Observations: In my opinion, all of the actors were expertly cast in their respective roles. Winona Ryder, in particular, is convincing as a mother who has lost her child. While there are times when her performance can seem a little grating, it’s understandable, given the situation at hand. The child actors all give credible performances, particularly Millie Bobby Brown as Eleven. She doesn’t receive many verbal lines, seeing as Eleven has a basic gap in her language lexicon. However, what she lacks in words she more than makes up for with her eerie silence and haunting presence. The other preteens are also given time to shine, and their diverse personalities help to make them relatable to the audience. Dustin was easily my favourite of the bunch, as his one liners cracked me up to no end.

My Favourite Aspect of “Stranger Things”: What I love the most about this series is that it creates an essence of wonder of the 1980’s, and it’s evident that the Duffer brothers have a deep fondness for films and TV shows of that era. In addition to the original story, there’s references to nostalgic shows and pop culture that is synonymous with the 1980’s. Even if you come into this show not knowing what to expect, chances are that you’d be impressed by how spot on their references are in relation to the time period.  However, I occasionally found the obvious parallels, especially to “ET” and “The Goonies”, to be a little too overdone at times. On the other hand, that may be simply part of the show’s charm.

Ratings and Recommendations: “Stranger Things” receives a rating of 5 out of 5 stars,as I found “Stranger Things to be a riveting, enjoyable show.  What adds to its current popularity is that the narrative focuses on adults, teenagers and pubescent children, which means that several members of those demographics can relate to the various exploits that the cast get embroiled in, complete with supernatural elements. I’d suggest viewing this show if you’re a fan of Stephen King’s work, or if you’re a fan of supernatural movies such as “Aliens”.

As of this writing, a second series of “Stranger Things” has officially been commissioned,  and will be expected to air sometime in 2017. Here’s hoping that this upcoming continuation will supply all the answers to the questions that remain unanswered. But no matter what unfolds in Season 2, more stranger things will be afoot for our protagonists!

 

 

 

 

 

 

 

 

Elisabeth Shue beats the Babysitting Blues in Classic 80’s Comedy

Hi there! Since the Disney Channel’s remake of “Adventures in Babysitting” starring Sabrina Carpenter and Sofia Carson premiered  as the 100th Disney Channel Original Movie recently, I decided that I would also view its 1987 predecessor of the same name, directed by Chris Columbus, who was also in the director’s chair in the first two movies in the Harry Potter Franchise, as well as “Home Alone”, “Gremlins” and “Mrs Doubtfire”.

Growing up, I used to dub this movie as “The Female Ferris Bueller Movie”, as even though the plots are vastly different from each other, they both deal with the characters having adventures through the course of only a few hours. And naturally, both deal with the main characters having to race to get home before the parents do. So, how does “Adventures in Babysitting” hold up almost 3 decades after its initial release?

The Plot in a Nutshell: It was only supposed to be a simple babysitting gig… Chris Parker (Elisabeth Shue) is your average suburban teenager who is anticipating date night with her hunky boyfriend Mike (Bradley Whitford), when he cancels on her at the last minute. So she’s lumbered with having to babysit the two Anderson kids, precocious and sarcastic Sara, (Maia Brewton), who has an obsession with sledgehammer wielding superhero Thor,  and sensitive older brother Brad (Keith Coogan), who has his own obsession in the form of an unrequited crush on his babysitter. Chris gets a sudden phone call from her runaway best friend Brenda (Penelope Ann Miller), who is stuck is a dodgy bus station in the middle of the Chicago city. After being blackmailed by Brad’s sleazy friend Daryl (Anthony Rapp) into taking him along with them, the quartet take off to pick up Brenda.

On route, Chris’ car gets a flat wheel , prompting them to hitch a lift with  one-armed trucker”Handsome” John Pruitt (John Ford Noonan), who seems friendly, until he finds out that his wife is cheating on him, that is. Following a shootout against the adulterous pair, Chris and the kids make a break for a getaway vehicle, right as it’s being stolen by amicable car thief Joe Gipp (Calvin Levels). This leads them to them being on the run from gangsters/car thieves after Daryl steals a Playboy with crucial information written on (and the model just so happens to resemble Chris- what are the chances?)

From there, the night just gets more crazier from that moment on, with their crazy excursion leading them to a blues club, a college party, where they run into helpful college student Dan(George Newbern), and a climax which involves a skyscraper tower. Will our heroes ever make it back before the Anderson parents?

Actor/Character Observations: Even though I felt that Elisabeth Shue’s character in “The Karate Kid” was rather bland, here I feel that because her character was of the most importance this time round, she actually carries the movie along. And the kid actors here given funny  lines, and generally weren’t annoying, as some child actors are prone to be. Out of the three kids, I enjoyed Sara the most, as she had some of the best quips. Coogan’s Brad was sweet and at times pitiful, thanks to his unattainable crush on Chris.

My Favourite Scene(s) in “Adventures in Babysitting”: The scene where Chris and her babysitting charges find themselves in a blues club following a chase from the gangsters and are forced to improvise a blues number to get off the stage. Chris sings a ditty inspired by her hectic night, with the blues musicians backing them up, complete with real life musician Albert Collins making an appearance as himself. The 2016 Disney remake converted this scene into a rap battle ,as a way to appeal to contemporary generations. In my case, it simply made me cringe for the entirety of its duration, and didn’t compare to the blues scenario of the original.

My Least Favourite Scene(s) in “Adventures in Babysitting”: I may be in the majority with this, both I found the scene towards the end of the movie where the quartet have to sneak into a party where Brad and Sara’s parents attending seems would have to get my vote for the scene I found tiresome. It appears to be more slapstick in tone than the rest of the movie, and the bulk of that scene features Chris having to don a mink coat to evade the possibility of the Andersons spotting her. It just didn’t work well at all for me.

Actors before they were Famous: Believe it or not, but Daryl’s actor, Anthony Rapp, would go on to originate the role of aspiring filmmaker Mark Cohen in the first production of legendary musical “Rent”. Similarly, Bradley Whitford, as the caddish Mike, later went on to have a career on the successful political show, “The West Wing”. (Even though Mike is presumably a high school senior, like Chris and Brenda, Whitford was 28 at the time, and he looks every one of those years!) Finally, Vincent D’Onofrio, from “Full Metal Jacket”, “Men in Black” and “Jurassic World” fame, cameos as Dawson, the garage boss.

Ratings and Recommendations: I’d give “Adventures in Babysitting” a solid rating of 3 and a half stars out of five. While some of the situations that our heroes find themselves in border on being slightly ridiculous, chances are that you’ll just go along with the plot, regardless of the lack of realism presented.

If you liked this feature, then I’d recommend viewing “Ferris Bueller’s Day Off” (you can read my review of the flick here.) If you’re interested in seeing the Disney remake, which has toned down many of the adult themes of the 80’s classic (namely omitting the swearing and the Playboy subplot), I’d suggest watching that with younger children. Please let me know if you’ve seen the reboot, and whether you prefer the classic or original flick!

 

A Slapstick Christmas Vacation is to be had with the Griswolds!

Everyone has heard of the National Lampoon movies. In fact, they may have risen to prominence over the last few years. Each of these flicks focus on the zany exploits of the Griswold clan, headed by well-meaning but bumbling patriarch Clark W. Griswold (Check Chase). We’ve followed them on their adventures on “Vacation”, in”Vegas” and in “Europe”, with each outing inevitably getting them into all sorts of awkward shenanigans.

More recently, there was a rather mediocre attempt to replicate the comedy and hilarity of the previous installments in “Vacation”, which features many of the same material, but with less of the charm, as the Griswold son, Rusty (Ed Helms) tries to give his family the same joyous vacation experiences as the ones he was introduced to.

While I  certainly wasn’t a fan of that reboot, my favourite of the series has got to be “Christmas Vacation”, which is the only film where the Griswolds stay at home, with the action primarily circulating on preparing for Christmas. As you might guess, things never go as simply as you may expect, especially if your name is Clark Griswold!

In this installment, Clark is determined to have himself a festive holiday , with the added perks of a Christmas bonus from his job with his patient, long-suffering wife Ellen (Beverly D’Angelo) and kids Rusty and Audrey (here played by Johnny Galecki and Juliette Lewis, in keeping with the running gag of the Griswold kids having different actors each movie). But alas, it’s not to be, Clark gets into all sorts of antics over the season. From Clark’s goofy Cousin Eddie (Randy Quaid) who lives in a Recreational Vehicle, snobbish neighbours Todd ( Nicholas Guest) and Margo (Julia Louis Drefus), and Mary (Nicolette Scorsese), a comely lingerie saleswoman who somehow sends Clark into a fluster, especially when his son Rusty cottons onto him! Add a feral squirrel, a kidnapped boss and a hostage situation, and you’ve got one heck of a Christmas!

The humour of the “National Lampoon” movies might not appeal to everyone’s tastes, as they contain slapstick pratfalls, toilet humour and plain old cringy moments, mainly at the expense of Clark. But somehow, the cast makes this material work, no matter how outlandish or over the top it may seem. Chevy Chase, in particular, continues to play Clark as the bumbling, put upon guy we love to watch. The selling point of this flick  for me is definitely just Clark’s interactions with his Cousin Eddie .  Whether he’s nonchalantly watching him pour his sewage all over his front lawn while wearing a skimpy bathrobe, or reacting to Eddie kidnapping his boss after a rhetorical request gone awry, you just know that there’s some laughs lined up!

In fact, Quaid’s Eddie proved to be so popular that he was given his own TV spin off movie in 2003. Unfortunately, I recommend that flick even less than I do the new revamped “Vacation”.

“Christmas Vacation”  may not have much to recommend it, and contains no Oscar worthy performances, but if you’re in need of a chuckle just after Christmas, then I suggest watching this flick. “Christmas Vacation” gets three and a half stars.

Peace out,  and have a Fantastic New Year!

 

 

Get a Clue with an Unconventional Murder Mystery Flick

It’s never been a secret that I adore murder mysteries, especially ones by Agatha Christie. This has passed on to board games, where the main objective of the popular game “Clue” is to find out who killed a character by the name of Mr. Black, in what room, and with which implement.

The plot of the 1985 Johnathan Lynn flick of the same name is not unlike this setup. It retains the setup of having six eccentric individuals with colour coded pseudonyms being brought to the posh Washington based manor house of Mr Black (renamed here as “Mr Boddy”) (Lee Ving), who is blackmailing each of them for a series of scandalous misdemeanors.

They consist of batty senator’s wife Mrs Peacock (Eileen Brennan), absentminded Colonel Mustard (Martin Mull), scarlet woman Miss Scarlet (Lesley Ann Warren), the lustful and corrupt Professor Plum (Christopher Lloyd), serial black widow Mrs White (Madeline Kahn) and timid, ambiguous homosexual Mr Green (Michael McKean). Under the guidance of Boddy’s loyal butler Wadsworth (Tim Curry) and flirtatious French maid Yvette (Colleen Camp), the six suspects soon find themselves embroiled in a murder plot. When Boddy turns up dead, the suspects must try to uncover who offed him so that they can save their reputations and stop the body count from increasing. But the three different endings complicate this straightforward plan…

“Clue” is one of those movies where you can tell that the actors were enjoying themselves immensely while filming it. These instances include Wadsworth gleefully having a tiff with Miss Scarlet as to how many bullets are left in a gun, to Madeline Kahn randomly seguing into a monologue about how she hated a particular person so much that it left “flames on the sides of her face”. Watching the other actors stare at her bemusedly is even more hysterial when you learn that she ad libbed that line on the spot.

One thing that sets “Clue” apart from films of a similar concept is that it contains not one, not two, but three different endings. When the movie was originally released in December of 1985, cinemas typically aired one ending each. This meant that some moviegoers had to flock to multiple showings in order to view all three endings. However, the DVD version naturally plays all three endings back to back, so that nothing is missed.

I’d recommend watching this movie for the physical comedy and the one-liners as opposed to the actual plot. The premise itself isn’t terrible in any way, it’s just that I find that the joke eclipse it more often, particularly any uttered by Tim Curry, who is just as strong here as he was in “Rocky Horror Picture Show”.

In conclusion, if you like quirky, complicated parodies of murder thrillers, then “Clue” is for you. If not, then watch an Agatha Christie adaptation such as “And Then There Were None”, also about a group of strangers being lured into a mansion, only for death to loom on the horizon. “Clue” gets 3 and a half stars from me.