Billy Elliot’s Brilliance into Ballet

For my next critique, I’ll be tackling the Stephen Daldry 2000 movie, “Billy Elliot”, which is about an 11 year old boy who has quite an unusual talent for his time. Set around the 1984 coal mining strike in rural England, it was one of British actor Jamie Bell’s first roles, and paved the way for a Broadway and West End musical, with music scripted by the legendary singer Elton John.

Jamie Bell stars as the titular Billy, a prepubescent youngster who lives in the mining town of Durham in the mid 1980’s. Billy lives with his father Jackie (Gary Lewis) and brother Tony (Jamie Draven), who both value their traditional, masculine backgrounds in the coal industry and his forgetful grandmother (Jean Heywood), with his mother having passed away a year earlier. With Jackie and Tony participating in a mining strike picket, the police have to be called in to restore some semblance of order to the community.

Billy keeps busy by taking boxing lessons in the local hall, but he proves to be less than stellar in the sport. Following a mediocre boxing lesson, he is cajoled into joining in on a ballet class taught by Mrs. Wilkinson (Julie Walters). There, he finds that ballet awakens an inexplicable need in him,  and so he begins to attend the class in secret, for some time at least. Eventually, an enraged Jackie finds out about Billy’s less than masculine extracurricular activity, and orders him to be pulled from the class. But can Billy deny his dancing dreams, or do greater pursuits beckon in his future instead?

The performances from all the actors are all superb. I simply can’t fault a single one of them for how authentic and natural they felt. Bell is excellent as the quietly determined Billy, the always fantastic Julie Walters is on top form in an Oscar nominated role as the encouraging dance coach, and Lewis and Draven are also decent in their roles as Billy’s initially distant father and brother, and Stuart Wells serves well as Michael, Billy’s best friend who is harbouring a secret of his own!

The story is propped with an array of memorable scenes, from the opening shot of Billy jumping on a trampoline in midair to the strains of T-Rex’s “Cosmic Dancer”, or Billy letting out some steam to the Jam’s “A Town Called Malice”. My own personal favourite scene comes about towards the end of the movie, where Billy is questioned about what dancing feels like. His response is simply heartfelt, and it inspired what is perhaps the musical’s most recognizable song, “Electricity”.

“Billy Elliot”, is possibly one of the best British movies that I’ve had the pleasure of viewing. I used to watch it devoutly as a child, and Billy’s struggle to remain true to himself despite the adversity from his family resonated with me, as I’m sure it has for others. In fact, Elton John himself was inspired to write the music for the stage show as he related to Billy’s fraught relationship with his father, since it was similar to the one he had with his own.

“Billy Elliot” earns a grand total of five out of five stars. It offers a brilliant takeaway message of perseverance in regards to your dreams or ambitions, and to never give up, no matter how fruitless and impossible it may seem, as it just might pay off in the end. Plus, I’d recommend checking out the musical show if you loved the film, Elton John, or if you simply love musical theatre which has catchy songs and valuable messages, then it might just be up your alley!

Bruce Willis does Baby Talk in “Look Who’s Talking”

In the late 1980’s, there were a crop of “baby pictures” released, which entailed the main characters looking after an infant. These included “Three Men and a Baby” (1987), “Baby Boom” (1987) ,””For Keeps”? (1988) and today’s subject, Amy Heckerling’s 1989 comedy, “Look Who’s Talking”. The best part that makes the movie stand out from all the other baby related movies? Bruce Willis provides the internal thoughts for the baby!

The plot follows New York accountant Mollie Jensen (Kirstie Alley), who has been having an affair with her married client Albert (George Segal), for quite some time. When she becomes pregnant from the tryst, Albert at first offers to stand by her, but then double crosses her by cheating with another woman, leaving her to be a single parent. After a heated public confrontation between Mollie and Albert, she goes into labour, and happens into the taxi of friendly cab driver James (John Travolta). He gets her to the hospital on time, and stays around to help for the birth of  baby Mikey.

A few days later,  James stops by to return Mollie’s purse, which she’d left in the back of his cab in the ensuing drama.  He immediately bonds with Mikey, and acts as his babysitter in order to help Mollie out. Mollie, determined to give Mikey the best possible father figure, starts dating an assortment of men, but none of them seem to fit the bill.  As time passes, sparks begin to fly between Mollie and James, with Mikey giving his two cents along the way. It’s actually a lot more funnier than it sounds!

Even though the movie may verge into silly territory at times, it works because of the charisma of the leading players. Travolta has been on record as stating that his role of James is the closest to his real life personality. The similarities don’t stop there – both James and Travolta are pilots on the side. He interacts well with Kirstie Alley, and they make a convincing “will they/won’t they couple”. Willis delivers a hysterical vocal performance as the baby. It’s worth noting while Willis and Travolta are the best of pals in this movie, just a few years later in “Pulp Fiction” (1994), they played anything but friends!

Some highlights of this flick include James dancing with Mikey to the Katrina and the Waves hit “Walking on Sunshine”, and again to Gene Pitney’s “Town without Pity” with Mollie in the kitchen, proving that Travolta has still got the dance moves he showcased in classics like “Saturday Night Fever” (1977) or “Grease” (1978). There are also a series of comical imagination sequences, frequently experienced by Mollie. These range from her considering whether or not her various dates will make a suitable father for Mikey based on how they treat the waiter, to her literally hanging atop of a clock tower after being told that her “biological clock is ticking”.

The movie was followed by two sequels- “Look who’s Talking Too” (1991), which features the exploits of Mikey and his young half sister Julie, who is voiced by Roseanne Barr. The second sequel, “Look Who’s Talking Now” (1993), doesn’t rely on the kids’ thoughts being heard, since they’re now old enough to speak for themselves. However, Diane Keaton and Danny DeVito are on board, as the voices of the two family dogs . While both of these movies are enjoyable in their own ways, they don’t compare to the original, in my opinion.

“Look Who’s Talking” earns 4 out of 5 stars, as it’s a warm, engaging comedy that worth seeing if you’re a fan of any of the leads, if you like baby themed movies, or if you fancy hearing Bruce Willis engage in providing the thoughts of an infant, in contrast to his more action orientated roles.  Happy viewing!

“Spaceballs” – Going where No “Star Wars” Parody has gone Before

On the 25th of May, 1977, a little movie entitled “Star Wars”: A New Hope was released in theatres worldwide.  A long time ago, in a galaxy far, far, away,  Luke Skywalker, ( Mark Hamill),a humble farmboy, gets thrust into an intergalactic war, and must rescue a princess from distress. As you all know, the franchise is possibly one of the most iconic out there, next to “Lord of the Rings”, “Harry Potter”, “James Bond” and the Marvel Cinematic Universe. 2017 marks the 40th anniversary of this acclaimed series. So, to celebrate, I’m going to review  Mel Brook’s 1987 parody “Spaceballs”, which gleefully sends up all of the common tropes and plot lines from George Lucas’ classic space odyssey adventure, and while the plot closely rehashes many elements of the original trilogy, it also pokes fun of other TV shows and movies, such as “Star Trek”, “Jaws”, “Alien” and “Planet of the Apes”, in very much the same fashion as the “Airplane” or “Naked Gun” movies!

In “Spaceballs”,  the villainous Dark Helmet (Rick Moranis) plots to capture spoiled princess Vespa (Daphne Zuniga) and deprive her planet Druidia of air. It’s up to scruffy space jockey Lone Starr (Bill Pullman) and his loyal mawg (Half-man, half-dog) sidekick Barf (John Candy) to step up to the challenge and rescue her. Along the way, they encounter some parodies of “Star Wars” characters, such as the CP30 inspired bot, Dot Matrix (voiced by Joan Rivers), gangster Pizza the Hut (Dom DeLuise), and the sage mentor Yoghurt (played by Brooks himself), who advises our heroes to use the power of “the schwartz” when necessary.

In one word, “Spaceballs”, is, well, ridiculous. However, it’s cheerfully aware of its own absurdity, and has the characters acknowledge that they’re in a movie several times by openly “breaking the forth wall, so to speak. This is brilliantly conveyed in one particular scene, in which Helmet and his underling, Colonel Sandurz (George Wyner) actually watch “Spaceballs: The Movie” in order to get a solution to their current dilemma, and end up viewing themselves viewing themselves in the actual scene that we’re currently watching! A similar joke also involves Yoghurt brandishing “Spaceballs” merchandise, including t-shirts, lunchboxes and a flamethrower.

Another favourite gag towards the end of the movie involves a cameo from the late actor, John Hurt, in a replication of his famous “chestbuster” scene from the original “Alien” (1979) movie. This  comes complete with the alien performing a ragtime dance number in the style of Michigan J. Frog from the old cartoon short “One Froggy Evening”. Hurt’s reaction of “Not again” , makes the spectacle all the more funnier.

John Candy, as always, is as brilliant with his jokes as ever. In addition to Yoghurt, Brooks also plays ditsy Spaceball president  Skroob, and Rick Moranis, best known for playing nerdy characters in works such as “Ghostbusters” and “Honey, I shrunk the kids”.

“Spaceballs” is a fun movie to watch, and I give it 3 out of 5 stars in total. Even if you’re not a fan of the “Star Wars” franchise, you may enjoy many of the cultural gags and references that are scattered throughout.  The movie was followed by a short lived animated adaptation decades later, but it didn’t fare too well, and was axed by the network before it even aired. Its brand of humour won’t suit to everyone’s tastes. Nevertheless, I would still recommend giving this flick a watch, anyway. May the schwartz be with you!

“The Princess Bride”-An Inconceivable Fairy Tale

Love is in the air, as we have reached one of my favourite holidays of all time- Valentine’s Day! And what better way to mark the occasion than to view a romantic movie? And if the latest “Fifty Shades of Grey” movie doesn’t quite cater to your idea of “romance”, then perhaps “The Princess Bride”, Rob Reiner’s 1987 adaptation of William Goldman’s novel of the same name, can be of some assistance. While some male members of the audience may be instantly turned off as soon as they hear the title, believing it to be a girly “kissing” story, it’s more about more than just “a princess bride”. It’s got elements that will keep young boys satisfied too, such as pirates, adventure and revenge!

We start off with a grandfather (Peter Falk) settling down to tell his sick young grandson (Fred Savage) a bedtime story. The tale he weaves tells of Westley (Cary Elwes), a lowly farmhand who works for the family of Buttercup (Robin Wright), whom he loves. When she realizes that she reciprocates  his feelings, he leaves in order to make his fortune so that they can get married. However, she hears that Westley’s ship has been attacked by by the fearsome Dread Pirate Roberts, with Westley being presumed dead. Resigning herself to the loss of her one true love, Buttercup doesn’t resist when vile Prince Humperdink (Chris Sarandon) chooses her as his intended bride, with the hidden agenda of murdering her in order to profit from her death.

Buttercup gets kidnapped by a trio of outlaws- Vizzini (Wallace Shawn), a Sicilian mastermind who greatly overestimates his own brilliance, gentle giant Fezzik, (Andre the Giant), and dashing Hispanic swordsman Inigo Montoya (Mandy Patinkin), who wishes to avenge his father’s murder at the hand of six fingered swordsman, Count Rugen (Christopher Guest). Shortly afterwards, they encounter a mysterious masked bandit known as the Man in Black, who is determined to rescue Buttercup…

“The Princess Bride” was simply a joy to watch. I hadn’t seen it since I was about 8 years old, and I remember being transfixed by the fantastical elements and sets. The characters themselves are immensely memorable. The villains are entertaining without being too hammy or over the top. The cameo appearances by notable celebrities contained no shortage of jokes. One of my favourites includes  British comedian Peter Cook as the “Impressive Clergyman” who mangles phrases such as “Mawage” and “Twue wuv”. It simply has to be seen to be believed! Plus, Billy Crystal, unrecognisable under make up and prosthetics appears in one short sequence as medicine man, Miracle Max, with Carol Kane as his nagging wife, Valerie.

Another thing I should note about this movie is that it’s incredibly quotable. Even if you haven’t seen the movie, it’s almost  guaranteed that you can recite lines from it at random. Some of these include “as you wish” , “Have fun storming the castle” and “Inconceivable”. But the most famous quote possibly has to be (all together now!): “Hello, my name is Inigo Montoya. You killed my father. Prepare to die”!

One aspect of the story that I didn’t expect to enjoy was the framing device between the grandfather and his grandson. Usually when a movie’s main narrative is depicted as one character telling it to another, it can get a little jarring to be pulled out of the action just to show the character’s reactions to the events at hand (as seen in “The Notebook”, Reiner’s own “Stand by Me” and virtually any episode of “How I Met your Mother”). Not so much in this case.  The cutaways to Savage and Falk flowed naturally, and didn’t attract attention away from the main story. If anything, they only enhanced them.

“The Princess Bride” earns a full distinction of 5 out of 5 stars from me. It’s one of those classic movies that almost everyone can remember being a staple of their childhoods, and I’d definitely recommend showing it to younger kids. (And yes, there is some kissing involved!) Happy Valentine’s Day, everyone!

 

 

 

 

 

 

Why We Won’t Forget About “The Breakfast Club”

 

There are some movies out there that are simply iconic, whether they define a certain genre. “The Godfather” is considered the ultimate gangster thriller, “Rocky” as the top sports flick, and “Star Wars” as the greatest Space fantasy epic. But when it comes to high school movies, one is nearly always lauded as being the one that nearly everyone will remember as being the one flick which actually gets what’s its like to be a teenager- 1985’s “The Breakfast Club”, written and directed by the  king of 1980’s teen movies, John Hughes (1950-2009).

The Plot in a Nutshell:   March 24th, 1984, Shermer High School. Five high school students, all different stereotypes, who would never interact with each other under normal circumstances,  are forced to spend a  Saturday together – in detention. There’s John Bender, the aggressive, rebellious tough guy (Judd Nelson), Brian, the intellectual, amiable nerd, (Anthony Michael Hall), Claire, the pristine and pampered rich girl (Molly Ringwald), Andy, the acclaimed wrestler (Emilio Estevez), and Allison, the anonymous eyeliner-clad   loner (Ally Sheedy). They appear to have nothing in common except for their detained status and contempt for their overzealous, pompous principal, Richard Vernon (Paul Gleason). Initially, they do nothing but snipe at each other, and keep their distance, but as the day gradually wears on,they begin to learn about each of their home lives, and how there’s more to each of them than their first impressions suggested…

Actor/Character Observations:   Everyone gets a chance to shine, and not a single cast member can be faulted for their performances.  Hall is appealing as the sweet, vulnerable nerd with a hidden dark side, and Ringwald manages to make a typical snobby popular girl archetype into a sympathetic character. Estevez shows off his emotional acting chops in a rather touching scene. Sheedy makes the most out of playing a character who doesn’t even speak for most of her screentime, so she has to rely reacting to the others, until she slowly comes out of her shell .She and Estevez get some engaging moments together.  Nelson is at the core of most of the proceedings as  the thug whose wisecracks and bravado mask some deep-seated emotional problems.

The adult characters aren’t as strong as the teenagers, but Gleason delivers in his role as a grouchy disciplinarian who has lost touch with his youth. Finally, John Kapelos, as Carl the Janitor, acts as a foil to Vernon, in that he can easily relate to the kids, and has much more common sense than Vernon.

 My Favourite Scene(s) in “The Breakfast Club”: Where do I even begin with this category? There’s the crazily awesome dancing sequence where the gang just lets loose and dance together in the library, the club’s big emotional therapy session, and Bender’s “Eat my Shorts” verbal smackdown to Vernon (which may or may not have influenced Bart Simpson’s catchphrase only a few years later) .

But the most poignant moment has to be that after the group have emotionally opened up about their respective issues, they deduce that they’ll never be like their abusive parents. This prompts Allison to utter  “When you grow up, your heart dies”. This line alone sums up the belief that once we grow up, we lose all touch of the innocence and the possibilities that supposedly attends our teenage years. It’s after this scene that our protagonists appear willing to defy the  fate of becoming just as cold and uncaring as their parents before them.

My Least Favourite Scene(s) in “The Breakfast Club”: The scene that I always find difficult to watch in an otherwise fantastic movie is the one which takes place after Claire shows off her “lipstick trick” in front of the others (i.e. her ability to put on lipstick using her breasts). Bender is the only one who is unimpressed, and proceeds to cruelly mock and belittle her in front of everyone else.  Granted, he did have a rough home life, but it was still no excuse for reducing the poor girl to tears.

Ratings and Recommendations: So, after watching the movie again, do I still like it as much as I did? Well, after watching it again, I have to admit that it’s still one of my top movies. Even though it had been a while seen I had last viewed it, I still recall relating to the characters and their plights. The reason that this movie continues to relate to modern audience  members is because nearly everyone can identify with the protagonists. Even if you don’t empathize with the kids, you can still feel for Carl and Vernon, much like my friend. It delivers the underlying message is that nobody is alone, and we’re all going through similar issues in our lives, without being preachy.  “The Breakfast Club”earns a total of 4 and a half out of 5 stars from me.

So what do you think?  Is “The Breakfast Club” a classic or just plain overrated? Which clique did you fit into in school? Feel free to let me know! But for now, I’ll let Simple Minds have the last word with their iconic ditty, “Don’t You (Forget About Me)”. Until next time!

“E.T.”is a Magical Classic that Never Fails to Enchant

Greetings, fellow bloggers! For my Halloween review, I have decided to review the 1982 Steven Spielberg classic, “E.T: The Extra-Terrestrial”. Spielberg considers it to be a loose sequel to one of his previous works, “Close Encounters of the Third Kind” (1977). It’s regarded as a children’s film, but it appeals to the entire family as well. It’s undeniably a classic, for both old and young alike, and is iconic for featuring memorable scenes and quotations. I had originally penned a review for “E.T.” elsewhere on the site, but decided to revisit the movie again, after binge watching many a “Stranger Things” episode!

The Plot in a Nutshell: 10 year old Elliot (Henry Thomas) is a lonely, alienated kid living with his sarcastic older brother Michael (Robert McNaughton), precocious little sister Gertie (Drew Barrymore), and his single mother Mary (Dee Wallace), who is still reeling from her husband having left her several months previously for another woman. Elliot is fetching a pizza in his back yard when he gets the feeling that something, or rather someone, is closely watching him.

It’s none other than the eponymous character, E.T., an alien who has been left behind by his own kind. Elliot is at first petrified of E.T., but then discovers that E.T. is just as lonely as himself, and wants to “phone home” to contact his own family, and alongside Michael and Gertie, makes it his mission to protect his new found ally from being discovered by their oblivious mother. Alas, sinister government agent “Keys” (Peter Coyote) seeks to take E.T. away…

My Favourite Scenes of the Flick: In a word, this movie is… timeless. Everyone remembers one significant scene from their childhood memories from this movie. That’s why it’s hard for me to choose just one moment. There’s the famous moon shot with the bicycle levitating across it, Elliot using  “Reese’s Piece’s” to lure E.T. out of hiding, E.T. going out treat or treating with Elliot and Michael at Halloween, and gleefully mistaking a kid dressed as Yoda from “Star Wars” to be one of his own kind, and my personal favourite, E.T. getting drunk off of some beer in the fridge, which causes Elliot to feel the effects of this in class, and revolt and unleash a gang of frogs from being dissected: “back to the rivers, back to the forest”!

While this is happening, E.T. watches “The Quiet Man”, the classic 50’s movie starring John Wayne as a retired boxer. As soon as the scene where he forcefully kisses Maureen O’Hara materialises, this causes Elliot  in his inebriated  state to kiss one of his pretty blonde school mates (Erika Eleniak)… only to find that she’s much taller than him. Thankfully, one of his buddies decides to help him out by allowing Elliot to stand on him so that he can have his kiss. This was a major “Awwww” moment for me when I was younger!

My Least Favourite Scenes of the Flick: It’s tricky for me to find a scene in this movie which I don’t like, but as a kid, the scenes towards the end of the movie where the government officials are invading Elliot’s home wearing spacesuits always gave me the chills as soon as they find out that there’s evidence of an alien in the dwelling. Watching it years later with a more mature perspective, it doesn’t come across as scary as it had been, but it’s still a tense moment.

Cast and Actor  Observations: For me, the casting in this movie is truly perfect. Henry Thomas is superb as the lonely Elliot, who finds solace in a similarly lost soul, and Robert McNaughton gets in a few comical moments as the initially aloof brother turned protector. Dee Wallace convinces as the mother who, for the most part, is unaware for the goings on surrounding her, as she’s so engulfed in her own grief. But the star performance for me was a young Drew Barrymore as Gertie. I just find her acting to be cute and endearing, and not irritating, as some child actors can be. I never fail to crack up at her declaring that she doesn’t like E.T.’s feet, in that matter of fact way that kids sometimes are particular to. As an additional note, Harrison Ford was to be cast as Elliot’s school principal who reprimands him after the frog incident. However, Spielberg felt that having such a well known thespian would distract audiences from the story, and ultimately sacked Ford.

My Take on “ET”: Part of the reason that “E.T.” is such a memorable movie even 34 years after it was first released is that it illustrates what it’s like to be a kid, especially during the chase scenes towards the end. (Word has it that Spielberg deliberately filmed the angle from the kids’ perspectives, so as to evoke a clear cut sense of opposition against authority). It’s without a doubt my  favourite movie by Spielberg, and one which I never get tired of watching. Plus, as I outlined in  my review of “The Goonies”, it gave me an appetite for “Reese’s Pieces” candy, an opportunity which “M and Ms” turned down, as they believed that the film would be a complete and utter flop. Needless to say, they ultimately came to regret the decision when “Reece’s Pieces” trumped them in sales.

Rating and Recommendations: “E.T.: The Extra-Terrestrial” earns a full distinction of 5 out of five stars from me. It’s a fantastic movie which has aged well. It spawned several parodies, most notoriously in the form of the blatant rip-off that was “Mac and Me” (1988), but that’s for yet another review. The oldest I’d recommend a kid to be to watch this movie is 8 years old, as there are several scary moments. Also, the ending still manages to tug at my heartstrings, and likely will with old and young alike.  Happy watching!

Serenades, Boomboxes and John Cusack make”Say Anything” an Endearing Love Story

As per a recent request, I’ve decided to make the 1989 Cameron Crowe romance movie, “Say Anything”, the subject of my newest post. Chances are, many of you have heard of the movie through the excellent 2010 high school comedy, “Easy A”. You may also have heard of the movie through the countless parodies that have been spawned of a particular scene involving a boombox playing Peter Gabriel’s “In your Eyes”. But the question is, how does the rest of the movie hold up in comparison to that scene?

The Plot in a Nutshell: Recent high school graduate Lloyd Dobler (John Cusack) is a kind-hearted, yet aimless underachiever with no set direction in his life other than kickboxing. Diane Court (Ione Skye) is the brainy class valedictorian with a scholarship in England ahead of her. They’re poles apart, but when they become an item the summer before college, no one is more opposed to the match than Diane’s divorced father, James (John Mahoney). The owner of a retirement home, James has always shared a special bond with Diane, to the point where he has encouraged her to “say anything” to him, hence the movie’s title. The last thing he desires is for his precious daughter to be distracted by who he deems to be an irresponsible slacker.

As the summer progresses, Lloyd and Diane grow more in love with each other, eventually leading to them consummating their relationship in the back of a car. Pressured by her father, Diane ends things with Lloyd. Never one to be deterred, Lloyd attempts to win back her affections, to no avail. Meanwhile, Diane grows to see that perhaps perfection isn’t everything, and that maybe Lloyd is the only person she can truly trust, as her beloved father comes under scrutiny of the Internal Revenue Service…

Character/Actor Observations: This movie is one of my favourites in John Cusack’s filmography. In my opinion, Lloyd is one of the nicest, most sympathetic characters that Cusack has ever portrayed on screen. Though his earnestness, he creates a character whom the audience empathizes with. Ione Skye is an excellent choice as  Diane, conveying the unsureness  of a high school girl who, despite having all the makings of success, but has felt alienated throughout her school career as a result. Lloyd admires her for her intelligence, and despite her initially not knowing much about him, they hit it off. The chemistry between Cusack and Skye comes off as being authentic and unforced, and they have several gentle, charismatic moments together.

My Favourite Scene in “Say Anything”: My favourite scene from this movie would have to be when Lloyd and Diane are proclaiming their love to each other after Lloyd’s kickboxing session. After all they’ve been through, it makes for a heartwarming moment that they’re both vowing to be there for each other from that moment onwards.

My Least Favourite Scene in “Say Anything”: Although it’s hard for me to select  a scene from this film that I didn’t think worked well, I have to say that I felt slightly underwhelmed by the famous boombox scene. Perhaps this was due to having seen it relentlessly be lampooned through various forms of pop culture over the years, that when the scene itself popped up, it was something of a letdown for me. While I feel that it’s still a powerful, striking scene in its own right, I was ultimately let down by the hype surrounding the scene in pop culture.

Actors Before they were Famous: In addition to Cusack, his sister, Joan Cusack, appears in a few brief scenes, as Lloyd’s… sister. John Mahoney, of “Frasier” fame, appears in one of his earliest roles, pulling off an impressive American accent which hides his British origins. Finally, future “Six Feet Under” actress Lili Taylor has a supporting role as Corey, one of Lloyd’s female confidants, who advises him “The world is full of guys. Be a man, don’t be a guy”.

My Take on “Say Anything”: “Say Anything” has quite a straightforward story, but treats the main characters with sympathy. What I admire the most about this movie is that through his direction of the material, Cameron Crowe permits for us to view James as a humane character, and not a one dimensional caricature. The two most vital relationships in the movie are ones that Diane has with both Lloyd and her father. For me, one of the highlights I have watching the movie are seeing both of these respective relationships evolve and be altered. To my surprise, I found myself feeling sorry for James, as while some of his actions were questionable, he comes across as any parent who simply wants the best for his child, and not as a one note villain, as some other teen movies may have portrayed him as.

Ratings and Recommendations: “Say Anything” receives a distinctional rate of 5 out of 5 stars from me. Its story make be straightforward, but it’ll appeal to those of you who enjoy watching films which showcase the ordinary lives of teenagers, while not preaching or looking down on them. The narrative understands what it is to be a teenager with a seemingly impossible love.

If you enjoyed this feature, then I recommend some of Crowe’s other works, such as “Almost Famous”, “Jerry Maguire” or “Elizabethtown”. As always, if you have any suggestions for a movie or a TV show that I could review, please feel free to share them in the comments!